Thursday, August 28, 2008

Film Fest Updates - Madison Horror Film Festival, Horror Society Film Festival and The Sacremento Horror Festival

I'm gearing up for the long weekend, which means stocking up on booze and not working tomorrow. So, I've got a quick post here on some horror film festival stuff, plus I'll be posting another interview we did some time this afternoon... and, I know this picture has nothing to do with anything that I've written below. I just like the picture. If you're interested, it's Natasha Talonz, who talked with Horror Society about a film she acted in, "The Horror Convention Massacre 2". I found the pic on their site...

I know we just mentioned the The Madison Horror Film Festival last week, but they already have a pretty cool update that I thought was worth mentioning. They've partnered with Apprehensive Films and are offering a distribution deal to the winners of the Best Short film and Best Feature film categories. I think it's a bit of a no brainer to distribute the winners, as it's a win/win for everyone and I think you're going to see more people stepping up and doing stuff like this... so, click on that link there and get your film in the festival.

Here's a new one, I think... I don't remember mentioning the Horror Society OR the fact that their having their 1st ever film festival this October - October 11th in Chicago, to be exact. According to them, they're "bringing you the most brutal, blood filled, and extreme horror ever seen on the big screen." Plus, it's all low-budget, underground horror and their goal is to provide "a platform for aspiring independent film directors and talent to debut their work and skills to Chicago." They've already filled the slate of films, so you can't submit or anything, but if you're in the Chicago area, do check it out.

So, here's another good festival that's done accepting films for the year... The Sacremento Horror Festival is October 17th - 19th this year and they "exist to deliver high-quality independent and popular studio-release horror films, sci-fi features and short films to the horror movie fan." They're also doing something pretty cool this year, called their "2008 Film Challenge - The Final Minutes of a Slasher/Zombie Film." It's a great idea and I'd love to see the submissions. It's too long to explain here, but it's worth reading about, just because it's a great idea. Check out the details of the challenge here.

Wednesday, August 27, 2008

Interview With Michael Hein, Festival Director of the NYC Horrorfest

If you're a regular reader, you're probably aware that we talk to a lot of indie filmmakers, trying to get insight and information to pass on to other indie filmmakers. Well, we're going to start branching off every once in a while, by interviewing people in other areas of the indie film world in an effort to show you insight into all these other facets, as well... the area we're going to look at this time? The indie horror film festival. More specifically, The New York City Horror Film Festival, which has been going on since 2001. It takes place in New York, obviously, and runs for a week in October. They currently have a call for submissions going on and there's lots of categories to win awards in. With lots of screenings, parties and things to do, it's one of the best festivals of the year to get involved in as a filmmaker or fan. Dead Harvey talked with Michael Hein, the founder and festival director...

Tell us a bit about yourself. How’d you get into indie horror?

I'm a New York City based Producer / Director. I've been working in the indie film scene going on 18 years. From PA to Special Effects work, and now Directing & Producing, I worked my way up the production ladder, and now run my own production company; MooDude Films. While horror films are not all we do, it has always been my passion. When I was 13, I caught a George Romero double feature of Dawn of the Dead and Creepshow and I was hooked from that day on. You can check out my recent films at Moodudefilms.com

Tell us a bit about NYC Horror Fest. When did it get started and why did you start it up?

I founded the festival in 2001 to help other like minded filmmakers get their work seen, not just by the fans, but most importantly, by the industry and contemporaries. At the time there were only two other festivals (also in their first year) but they were both out in LA, so building an event like this in the worlds largest media market seemed like a no-brainer. Now it seems that every state has a horror film festival, but we like to think the NYCHFF stands out as an important global film festival. We get acquisitions reps from every major distribution company in the world, from Universal and Lionsgate to NBC and HBO.

From the perspective of the film, why should indie horror filmmakers try to get their films into festivals?

It's a great place for your work to be seen, meet reps, set up connections that could lead to selling your film. I try to point out to all filmmakers, a film festival is supposed to be about making connections. A lot of film festivals out there are really only about screenings for horror & sci-fi fans and that's great, but we try to make the NYCHFF all about the industry.

From the perspective of the filmmaker, what can I expect to get out of having my film screen at the festival?

We work very hard to make sure the attending filmmakers have a great time at the event. Parties, panels, etc. Of course, I’d like filmmakers to also make some good contacts with distribution companies, producer reps, and other filmmakers.

When you’re accepting films, what are you looking for?

The same thing everyone looks for in a good film; A solid story, good directing, and talented acting. We honestly never look for bigger budgets or name actors. The NYCHFF is all about the genre and we expect a little genre knowledge from our filmmakers. We like to program an eclectic festival, so send us the best of horror, sc-fi and thrillers.

As a filmmaker, what can I do to make my film more festival friendly? Should I even be thinking of that?

No, you shouldn’t be thinking that way at all. As a filmmaker myself, my advice is never compromise your art. Make the film you want to make, never change things because you THINK a festival would be more friendly to it if you did “this” or “that” differently.

Are there any particular success stories from films that screened at NYC Horror Fest?

I’d hate to single out any one filmmaker for another, but there have been many alumni filmmakers that are now doing big stuff. The one thing I will say is that every feature film that has screened at the NYCHFF in our seven years has been picked up for distribution. I don’t think any other genre film festival can say that and we are very proud of that fact.

What advice can you give to an up and coming filmmaker in the indie horror genre?

Make your film…..period! I’ve know a lot of people that talk and talk about they are going to do this or that and it never happens. If you want to be a filmmaker…….be one!

Tell us about the future of indie horror, where do you see it going?

Who knows? Right now (I hope) we are coming to the end of this “lets go out and remake every horror flick from the seventies, but change everything about them that made them great” attitude from the Hollywood studios. I see some great indie films every year and one thing is for sure, the new Romero’s, Carpenter’s and Craven’s are not going to be found on a studio lot.

What’s next for you and the NYC Horror Fest?

Same as always, onward and upward! Great films, great panels and great parties!

Where can people find out more about NYC Horror Fest and how can they go about entering their film?

NYCHorrorfest.com. You can also google us and film a ton of press and stories on past film and filmmakers. You can also watch some great past shorts from the fest at Openfilm.com

Tuesday, August 26, 2008

Dead Harvey Interviews Yossi Sasson, director of "Dead and Gone"

When I met Yossi Sasson, we spent twenty minutes shooting the s about comic books and our mutual admiration for "Conan the Barbarian". Then we got into his debut feature, "Dead and Gone", a really fun throwback to 80's horror, scripted by Harry Shannon. Now, I've heard all kinds of real life horror stories from filmmakers getting f'ed over before, but Yossi's tops them all - almost half of the movie had to be re-shot due to underexposed footage. To finish the film, Sasson had to raise more funding (including taking a second mortgage out on his house), wait six months for the outside location to match, and regroup all the actors and crew.

Sasson won the battle, though, because "Dead and Gone" is completed and all over the video stores. Plus, it features an awesome cast including Marilyn Ghiglotti, Zack Ward, Kyle Gass, Ben Moody, Felissa Rose, Gillian Shure and the screenwriter himself, Harry Shannon. Head on over to Amazon.com to buy yourselves a copy and support independent film making! There's also a book available at Amazon that screenwriter Shannon wrote based off the movie.

Thank's for the interview, Yossi! We look forward to your upcoming work!


clip 1 - Inspiration To Make Movies
clip 2 - Working With Harry Shannon pt 1
clip 3 - Working With Harry Shannon pt 2
clip 4 - How Long Did The Process Take?
clip 5 - Securing The Cast
clip 6 - Influences
clip 7 - The Score
clip 8 - Editing Connection
clip 9 - Securing The Location
clip 10 - Personal Sacrifices
clip 11 - Challenges
clip 12 - Directing Approach
clip 13 - The Yellow Jackets
clip 14 - What Was The Movie Shot On?
clip 15 - What Would You Do Differently?
clip 16 - Legal Discussions
clip 17 - Advice For Avoiding Problems
clip 18 - Advice On Distribution
clip 19 - Post
clip 20 - What's Next?
clip 21 - Where To Find "Dead And Gone"
clip 22 - Parting Words

August 26th, 2008 - New Horror out on DVD this week

Okay, this really is a great week for indie horror... but before I get to the main releases, there's a few cool releases that I'm not going to elaborate on, but I do want to mention, including: the directors cut release of "Brotherhood of the Wolf" (an awesome film), the rereleases of "Phantasm 4: Oblivion" (has to be mentioned), the release of the J-Horror, "The Black House" (there's an American version in production right now), two classic cannibal films, "Cannibal Terror" and "Cannibal Holocaust" and, finally, the "Best of Tromadance, Vol. 5", which really deserves more than just that, but... I'm going to give ALL of Tromadance its due in an upcoming post. So, as usual, PLEASE click on the titles if you'd like to buy the films from Amazon and/or go to our Youtube page if you want to see the trailers!

Out of the UK, comes "Vampire Diary", which was directed by Mark James and Phil O'Shea, written by Phil O'Shea. It won 4 awards at the Milan International Film Festival and they were all the big ones; Best Film, Best Editing, Best Cinematography and Best Actress. If THAT doesn't impress you, maybe the idea behind it will. "Whilst making a documentary, filmmaker Holly meets the highly enigmatic and beautiful Vicki who claims she is a real-life vampire. By turns fascinated by and attracted to her, Holly thinks that Vicki could be her soul mate and soon the two embark on a passionate affair. However Vicki's lust for blood is growing and when Holly discovers that Vicki is pregnant with a 'vampire' baby, she is drawn into a spiral of death, deceit and betrayal from which she will never emerge." That's right... lesbian vampires and, by the way, the lead actress is the Princess from Hellboy II. Reviews are awesome, too.

"Home Sick" comes from director Adam Wingard, who also co-wrote, shot and edited the film, and it was his first feature film. He made two horror shorts before this and one short and another feature after. This film has an unreal cast, with Bill Moseley as the smiling maniac called 'Mr. Suitcase', as well as scream queen Tiffany Shepis and Tom Towles from "Henry: Portrait of a Serial Killer". 'Mr. Suitcase' carries a suitcase full of razorblades and he unleashes a super human killer on a group of kids, so they are forced to take up arms with an insane Chili enthusiast if they want to survive. Fangoria calls it a "gorfest that does what so many recent low-budget shockers claim to do" and Fantasia called it "a well-shot, unsettling gorefest" with "excessive bloody effects". Dead Harvey says, sold! Where do I get my copy?

"Coons! Night of the Bandits of the Night" is from Travis Irvine and, yes, it's about killer racoons. It's Irvine's first film and it's as low-budget indie horror as it gets. First off, I can't get enough of the title... using 'night' twice is just awesome. Secondly, believe it or not, I found a review of the film on nytimes.com, here's the link, and they love it, saying "the laughs flow like rabies-infected blood in the gruesome horror comedy about a group of college campers besieged by a pack of killer raccoons." I can't wait to check this out...

Well, now it's time to get a little violent and messed up. "Skinned Alive", formerly called "Eat Your Heart Out", is from James Tucker, written by Joshua Nelson and it's being released by Lionsgate. It's about a desperately lonely man who finally meets the love of his life, but unfortunately for him, she's a prostitute who is, literally, feeding on the men of New York. "Sex will never be the same..." Disturbing violent and sexual content, language and nudity follow.

"Gimme Skelter" looks like another kick ass indie horror, this one from Scott Phillips. It's got an unreal cast, including Trent Haaga (Troma veteran), Gunnar Hansen (the original Leatherface) and a bunch of other low-budget indie horror regulars. It's about a dangerous, bloodthirsty 'family' traveling in a van, who decide to outdo a previous notorious 'family' by slaughtering every person in a remote small town. Now, here's the capper... on their myspace page, they say they had "several less-than-appealing offers for distribution" and they've "decided to take matters into (their) own hands and distribute the movie (themselves)". So, here is yet another chance to support indie horror! Pick up a copy!

"Puppy" is an Australian horror from writer/director Kieran Galvin and this is one along the lines of "Jack Ketchum's The Girl Next Door" crossed with "Black Snake Moan" or "Misery". It's about a sultry swindler, Liz, who attempts to commit suicide, but is rescued by a lonely tow truck driver... who takes her to his remote farmhouse, convinced that she's the wife who abandoned him years earlier.

I don't know why I'm writing about this and not Tromadance, but I have to comment on Uwe Boll's latest film, "Postal", which comes out today. It was made in 2007, was based on the 2003 computer game series of the same name and had its premiere in Montreal on July 22, 2007 during Fantasia Fest. The film is as offensive as it gets... and I don't mean with gore, I mean it's just offensive. The opening scene has two guys hijacking a plane to the Bahamas, only to be overpowered by the passengers, who, in the struggle for control, end up driving the plane into the South Tower of the World Trade Center. It had a budget of $18Million and after it's theatrical run, managed to gross a grand total of $142,761 worldwide. I, uh... think that says it all. Wow, Uwe... wow.

Awesome week... lots to watch!

Monday, August 25, 2008

Dead Harvey Interviews Neil Kaplan: Creator and Writer of, "I, Of the Wolf"


I've loved reading comics since childhood and will continue to love them until my sight goes, so it is with great enthusiasm that Dead Harvey adds indie comic artists to it banner.

Our first is with the creator and writer of, "I, Of the Wolf": Neil Kaplan.

Kaplan has an impressive body of work involving stand up comedy and voice overs for high level video game and animation projects. He was at comic con to promote the project this year in San Diego and will be at Dead Harvey's favorite bookstore (Dark Delicacies) on Sunday, Sept. 14th at 2pm to sign a copy of the premier issue so head on down to pick yourselves up a copy and help support indie comics!


DH: You have been the voice of Optimus Prime on "Transformers: Robots In Disguise" (which is f'ing awesome by the way) as well as various other animated characters. Tell us why you decided to switch mediums to horror comics and what inspired you to write, "I, Of the Wolf"?

NK: Hi Brad, thanks for your kind words. Yeah... playing Optimus Prime was a dream come true and a pretty awesome thing to have old high school friends find when they go to IMDB!

I don't so much think of myself as switching mediums as much as showing my true colors. If I had to choose a word to describe what I am I would say "storyteller." That's where the voices and the characters all come from. I did stand up at one point and I'm looking at getting back into it again, at least a little bit. I just like telling stories.

Heck, I have an educational TV series I have in development which will hopefully be on TV, mobile phones and in print eventually.

"I, of the Wolf" is a story I used to tell to friends, sort of a "campfire" thing.†Finally, in 2005, I was in Birmingham, England as the guest of honour (notice the†"u"†since it†WAS†the UK) at Auto Assembly along with amazingly talented comic book artists Simon Williams and Jason Cardy. After I told them the story Simon suggested we work together on a graphic novel version. As soon as I got back to the states the first person I looked up was†Derek Maki, a†friend that had successfully produced an award winning film and run a comic book store. I knew I had to have Derek on my team.

Hopefully, Derek and I will bring other stories to the public to follow this one.

Due to distance and health issues, Simon had to bow out. So, with his blessing Derek and I moved onward and we’ve been able to collect an amazing group of talented artists to bring this story to the page!

What inspired me? It’s pretty simple. My inspiration nine times out of ten is the same question. No matter what the story is, to me it usually starts with "What If?" (Likely my favorite comic book series EVER)

DH: What are your favorite horror comics out now and why?


NK: I don’t read comics as often as I did when I was in my teens and twenties. BUT, I really dig Occult Crimes Task Force. Tony Shasteen and David Atchison did such a wonderful job giving that book a very cinematic feel. (Though I guess it helps having a movie star as the main character.) I also really dig the world that Rosario Dawson created for her characters. To be honest, I don’t think I’ve ever read anything by David that I did not enjoy!

I really dug “Violent Messiahs.”

…and Painkiller Jane was a fun book a friend gave to me.

But then again there are two creators whose work never ceases to entertain and inspire me; Alan Moore and Jimmy Palmiotti. Those guys KNOW how to tell a story… and of course they bring with them the world’s finest visual artists!

DH: Now that you've worked in the literary and film medium, tell us which you prefer and why?

NK: Wow… well, I enjoy them both. They are both such distinct ways to tell a story. Oh, by the way… you forgot LIVE performance as well.

Honestly film work depends greatly upon how you are participating. Producing, directing, writing, acting, etc. They are ALL working from a different angle toward a shared goal.

DH: Describe your particular take on the werewolf.†
-
NK: Well, let’s just say this…
“What if the movies and the legends got it ALL wrong?”
“What if, at the rise of a full moon, a boy saw a wolf step from the woods… transform into a man… and commit a rather grizzly killing?”

That’s the tease in the first chapter… but it goes a LOT deeper than that. We address a LOT more in the book.

“Are the monsters in the world always the ones we think they are?”
“What is more important… who we are or who we seem to be?”

OH, and let me point out that there is a difference (in my mind) between Werewolves and Wolf/Men. It would seem that if a creature is a combination of human and wolf they are Werewolves. If however, they are either one or the other at differing times, they are a Wolf/Man. Oddly, in the movie “Wolf-Man” he was a werewolf and in “An American Werewolf in London” he was a Wolf/Man. – Funny how that works, huh?

DH: What were your primary influences behind the comic, "I, Of the Wolf"?

NK: All the old Lon Chaney movies, “What If?” comic books and “An American werewolf in London.”

DH: What does "I, Of the Wolf" have in store for us in the future?

NK: A few more rather disturbing deaths and/or violence. (Hey, I warned you it was for 14 and older)

We delve into the creation of the race. (Gee, haven’t YOU ever wondered where they came from and why they exist?)

The truth behind why they “walk among us” and what their true purpose is.

Another main character (or two) will fall before this story ends. And by the end Tom meets the monster that has plagued his life and changes the course of his life thereafter.

We also get introduced to another mythical race, which is mentioned in Chapter One: “Friends and Monsters” So, I actually give my interpretation to another race of beings that play an important role in this story.

DH: How long did it take to put the comic together and how did you raise the financing?

NK: Let’s just say three years so far and we are still seeking either a publisher or an investor(s) to become our partner(s).

DH: What advice do you have for people who have just finished a horror comic to get it out there on the market?

NK: Keep plugging away and you’ll find readers and a home. That is the beautiful thing about the internet, it really has opened up the Global Market to our creativity.

When things seem bleak, look at the team of people you have gathered to work with you. If you are lucky like I was, you get AMAZING artists AND human beings like I did.

J.K. Woodward, J. Zoe Frasure, Mike Pascoe, Rob Granito, Simon Williams and Jason Cardy!!! I mean, if my story was bad, these gifted people would NOT have joined my team… so, I guess I can relax about the story I am telling and just make this happen!

Believe in yourself, your ideas and your TEAM! Never forget that your story, whatever it is, is GOLD. But also remember, that some people seek platinum and jewels. It doesn’t mean they’re dopes or have no taste. It just means you are not compatible. OK… and move on.

DH: Tell us about your experience at Comic Con this year.

NK: Well, San Diego Comic Con was our “launch.” It was slow going, but those that came by were wonderful and many have written to tell me how much they liked Chapter One. We made great contacts, and the book ended up in the hands of some very talented people and publishers to review!

DH: What's next for Neil Kaplan?

NK: Completing the Graphic Novel and either finding a publisher or getting it to market ourselves. I am recording a fairly major voice on a game that should be HUGE… but who knows what will happen there.

I am working to create a company that will provide entertainment to our troops both serving and rehabilitating.

I have an educational TV show in development... screenplays being re-written.

I teach Voice Over to the sight impaired at the Braille Institute of Los Angeles… and I am trying to develop that into a nationwide program.

…and my NEXT Graphic Novel will be “Tsao Shun and the Night Patrol,” it’s your typical Vampire, Kung-Fu, Civil War Story. (I know… not ANOTHER one!??! Right?) One thing to ponder on that one… who hates the un-dead the most?

Wow Brad… I hope I have piqued your interest (as well as maybe a few hundred of your loyal readers!) Thanks for your time and interest! I hope you’ll really dig “I, of the Wolf.” If so… go to our site and let us know! We’d love to get a lot of hits and interest; www.iofthewolf.com.

If not… maybe you can blog about something else for a few days instead. :)

Linkapalooza - August 25, 2008: The Future is coming... fast.

Usually I try to mix up what the stories are about when I do this Linkapalooza thing, but there was too much going on in the world of online video projects this week. So, this week is dedicated to what's going on out there and what you, as an indie horror filmmaker, should take away from it.

Gemini Division Blasts Off Aug. 18 on Broadcastingcable.com: This is a very short article on NBC Universal Digital Studio's first original web series, "Gemini Division". The project was actually announced a few months back, in April, and it's hit a point where it needs to be talked about. The most important thing about this isn't that it's a studio with money backing a project that's going to be soley distributed online, the most important thing is, it actually has a name actress in it, Rosario Dawson. It's going to be seen on NBC.com, SCIFI.com and on its own site, GeminiDivision.com, as well as on a number of VOD and mobile platforms, Amazon Unbox, Xbox Live Marketplace and Zune. It's a 50 episode series, with each episode only being a few minutes long... check it out, if this catches on, you're going to see a wave of projects like this and if you've got an idea that can fit this format, time to sharpen the pencil and get to work.

Can Comcast Make TV 2.0 A Reality? on multichannel.com: If the fact that the studios are starting to financially back projects like the afore mentioned "Gemini Division" doesn't convince you that the internet is changing the way we watch video, maybe you should take a look at what the cable companies are thinking. This article is about Comcast, their online property Fancast.com and what they think about the future of TV. I actually get lots of emails from Fancast because I signed up for it a while ago, but I never really read them... However, I'm going to start. I didn't realize that it's more than just an online video aggregation site. It's more like Tivo on steroids... it's supposed to "navigate a universe of TV and movie content to find that special show no matter where it lives: online, on a cable network or broadcast TV station, on video-on-demand, on a mobile phone, or even in movie theaters." Now, that's cool. I t's also cool technology for indie horror filmmakers. Why? Because if this kind of system catches on, it's going to make it easier for people interested in low-budget indie horror to find your film. This is why indie-horror is about to explode as an industry. The biggest hurdle has always been finding an audience.... in a few years, that's going to change because the audience is going to find you.

Sony Goes Into 'Coma' Web Series on adage.com: Well, just when I thought that "Gemini Division" was SO groundbreaking, I read about "Coma", Sony Picture's web series that's going to be distributed on YouTube, Hulu and AOL and on AT&T and Verizon mobile platforms. Not only does this project ALSO have name actors in it, George Hamilton and Michael Madsen, but it's got something that "Gemini Division" doesn't. Big time sponsors. Sony Electronics and Microsoft have both given a pile of money to the project, as their products will be heavily showcased in the series. Either way, once again... if these guys are doing, you ought to think about doing it. To reiterate myself, get that pencil sharpened and get to work!

Consumers to Spend $6 Billion on Internet Video Services by 2013 on CEPro.com: Just to wrap this all up, why don't we check out what the industry thinks about where internet based video is heading? Well, if you couldn't tell by the title, they think that consumers in the U.S. are going to spend more than $6Billion on Internet video services by 2013. They admit that "consumption of premium internet video content to date has been low", however "the study is attributing the growth to more people owning connected gaming consoles, networked TVs and alternate video-on-demand settop boxes."

Let's sum this all up. Big companies like Sony and NBC are out making content exclusively for distribution through online properties, consumers are going to start spending piles of money on internet video services and more people are going to own connected gaming consoles, networked TVs and alternate VOD settop boxes. There's only ONE thing missing from the equation... how is the money going to be made? Well, here's my advice: don't worry about it. What YOU need to do is make content and projects that work in this new system, then find a way to use them. Build an audience. Once you have that, the rest will follow.

Sunday, August 24, 2008

Dead Harvey Interviews Indie Horror Actress Sarah Virginia Brock

Sarah Virginia Brock is fairly new to the indie. horror biz., but she got stabbed in the leg during an accident on the set and returned to finish the movie. Now that's what I call street cred.! She can be seen in "Scream Farm", "No Return", "Lounge Act" and the upcoming, "Pretty Vacants". Aside from the knife story, Brock gives a lot of solid advice regarding working in the indie. horror world, including watching out for all those perverts with a camera. Wait a minute... perverts with a camera? I hope she wasn't talking about Dead Harvey.

Just kidding. Thank you for the interview, Sarah. We look forward to seeing your upcoming work!


DH: Tell us about your yourself. What's your background and what got you into acting?


I grew up in a very Christian home, but I grew up around movies as well. As a little girl, I would watch Alfred Hitchcock movies with my dad and my mom would take me to the movies all the time. They both love film, but they never thought that I'd be an actress, that was something that strictly came from God.

DH: What horror films have had the biggest effect on you and why?

Dial M For Murder. Alfred Hitchcock proved that you don't always need special effects to be scary. What scared you the most in his movies was what he didn't show you. He was a genius.

DH: What, as an actress, draws you to the horror genre?
In a horror film, you have a wide range of emotions to work with. In the beginning you're happy, a little ways into the film you're scared, in the climax you're pretty much having an emotional breakdown, and by the end (if you're still alive) you're recovering. It really gives you the chance to act.

DH: What's the most important thing an actor needs to know regarding working in indie. horror?

Be careful! There are a lot of great indie. directors out there, but there are a lot of perverts with a camera as well. It's up to the actor to do research on who they're working with.

DH: What actor/actors do you most admire and why?

I really like Denzel Washington because not only is he an amazing actor, but he's been able to keep his faith.

I like Audrey Hepburn because she was able to be sexy and a lady at the same time. The character she played in Breakfast at Tiffany's wasn't very innocent, and yet, she was able to make her seem that way.

I also really like Hilary Duff because she actually acts her age. She didn't jump into adult roles, she took baby steps. You've got to respect that!

DH: Describe your approach to acting.

Once the cameras turn on, you're no longer you, you're the character that you're playing. Acting isn't pretending to be someone else, it's becoming that character. You've got to drop everything that you would do if you were in that person's shoes and you've got to start thinking like them.

DH: What are some of the biggest challenges you've faced as an actress?

Comedy. A lot of people are surprised by this, but it's much easier to make someone cry than it is to make them laugh. I still love comedy, though. I'm currently doing a mystery dinner theater show at the Comedy Club in Alabama. It's hard, but fun!

DH: What are some of the best and worst experiences you've had on the set?

The worst experience is also the best. I was doing a movie called Pretty Vacants and we were doing a scene where I was being stabbed in the leg. Well, the production crew had us working with real knives and on accident, I got stabbed in the leg! I had to get three stitches. The director took full blame and he paid for all my medical bills. I went back to work on the movie the following week. Ever since then, he hasn't worked with a real weapon. He really is a wonderful director who just made a mistake. What I got out of it was a cool scar and proof that I'm a hard working actress!

DH: What would be your dream movie to act in?

I would love to play Harley Quinn in a future Batman movie. I also heard that the book The Lovely Bones is being made into a movie and I'd love to be in that, too!

DH: What's next for Ginny Brock?

Aside from the Comedy Club, I just did a short horror film called No Return. Pretty Vacants will be out next month and I'm doing some modeling. (Another dream of mine!) I will probably be doing another movie with Jim O'Rear and Ted Alderman, too.

DH: Thank's Ginny! This will be very cool because you will officially be the first indie. horror actress Dead Harvey has interviewed!

Thank you so much and I'm honored!

Saturday, August 23, 2008

Morbid: A Love Story

Something new for Dead Harvey is we've been receiving info on indie horror movies in progress. The latest is an ultra-indie but what it appears to lack in budget it sure as frag makes up for in gore. Holy crap, every pic I've looked at involving this movie has had graphic carnage.

Here's the synopsis as included in the press release:

Christian (Liam Smith) is a typical college student besides the fact that he is a serial killer. He sees death as the greatest art form, ranking his targets by degree of difficulty and making his victims his easel. Christian takes a liking to Belle (Anna Palestis) a girl in his class and falls in love. He decides he wants to lead a normal life and stop his killing ways, but old habits die hard. Meanwhile, F.B.I. agent Jack Stevenson (Chris Vanderhorst) who was assigned to Christian’s case three years earlier has grown distant to his family due to the demands of the case. He feels guilty when his family dies in car accident caused by a man falling asleep at the wheel. Jack feels the man deserves to die and battles fantasies of murdering the man himself as a way to make amends with his loved ones. When he finally tracks down Christian, he has a new plan. Although there is plenty of blood and gore, the film is different from a typical run of the mill slasher film because the serial killer is the protagonist. The role of hero and villain change throughout the film, making the viewer question right, wrong and his or her own morality. The film’s overall message is that love heals even the deepest scars and makes you question whether doing bad things for the right reasons is justifiable.

Morbid: A Love story will run the film festival circuit in late 2008 and will be released on DVD nationally and worldwide in 2009

The Morbid: A Love Story Trailer can be found on Youtube here.

May want to put the kiddies to bed when you watch this. Especially since the director sent me the following note in an email:

"I've been told to let everyone know that the murder scenes in this film are extremely grotesque i.e. baby eating, penis chopping.... Just a little something if you'd like to add it. Thank you Brad."

Now let see you top that, Hollywood. What's that I hear? No response. Yeah, that's what I thought. Dead Harvey will be interviewing the director, Edward Payson after film is complete. Stay tuned...

Friday, August 22, 2008

Film Fest Updates - Eerie Horror Fest, Festival of Fear, Madison Horror Film Festival and Scriptapalooza

Well, alright then... let's finish off the week with some news on the festival and convention fronts.

The Eerie Horror Fest is one of the favorites of the indie-horror scene and, guess what? They're now taking submissions! This fest has been around since 2004 and has really grown to be one of the big indie horror festivals. Not only that, they have a screenwriting competition, as well as a video game developers section to go along with the films. Last year Fuji Film was a sponsor and gave away $2,500 to the winner of best cinematography, I'm not sure if they're doing that again this year... regardless, this year there's $10,000 in cash and prizes. They're a pretty cool festival, as one of their mandates is to try to play an active role in connecting their filmmakers and screenwriters directly with those in the industry. All that AND there's a convention, this years guests include: Sig Haig, a Texas Chainsaw Massacre Reunion, Kane Hodder, Tony Moran... the list goes on. Conclusion - for low-budget indie horror filmmakers, this is one of the festivals to go to or to enter. Click HERE for info on submitting your film, screenplay or video game or just click HERE for more info on the festival.

I have to mention The Rue Morgue Festival of Fear, which is this weekend - Aug 22-24. If you're in the Toronto area, you're going to want to stop by this one. There's tons of awesome films screening, lots indie stuff and there's lots of guests, including Wes Craven, Tobe Hooper, and others... AND then there's the off site events, which means parties. If you're not in the area and aren't planning on going, it's one you should definitely look into attending next year.

Now, a festival that just came to my attention and is just getting going... On Saturday October 25th, Icon Entertainment will be presenting the 1st annual Madison Horror Film Festival. You can submit right now, but you have a small window to get your film there. Late entry is on Sept. 19. For more info on submitting your film, go here. The event will take place at the Orpheum Theatre Stage Door in Madison, WI. Besides presenting some of the best independent short and feature films in the horror genre, they are pleased to announce Kenneth J. Hall as a guest speaker at the event. It looks like they'll have awards, although they don't mention any cash prizes. Full Moon is all over their website, so they may be a sponsor or involved somehow. Anyhow, I don't know any more than what the website says. I'll try to get in touch with them and dig up more info. You can find the website here.

Lastly, one reader was asking about a screenwriting competition called Scriptapalooza. To be honest, I had no prior knowledge of it, but I did look into it. However, before I talk about the competition, this gives me a good opportunity to mention a few things that I think people should know ...and this rule of thumb goes for almost everything, too. You have to remember that most of these festivals and competitions, regardless if they're good or bad, are looking to make money. Now, that's not a bad thing, by any means. You just have to look at HOW they make their money... and Scriptapalooza not only looks legit, it looks pretty good. (1) there's a lot of industry professionals involved. That means they're looking for scripts, don't kid yourself. Studios and indie producers are asking to read what these guys have and the festival's taking a fee from them. That's good for you, it's kinda like having an agent... in a round about way. (2) They're in the press quite a bit. This means they're putting themselves out there. A lot of competitions are just lurking around in the back of horror mags or online, asking for $50 from you and that's how THOSE guys make their money. These guys are in lots of industry papers and that's not necessarily to get your attention, either. They want the industry to know they exist. (3) There's good success stories. Always a bonus to see. Long and short, these guys look legit and they look like a good competition. The only thing I don't like is that they don't have categories. So, it's horror vs. drama vs. comedy, etc. I always find that horror can get lost in competitions like this. However, there are judges from After Dark Films, Lionsgate, Asylum and a few other companies that have been involved in horror. So, if your script has anything to do with monsters, slashers, aliens or mutants, you're better off entering The Eerie Horror Screenplay Competition, Shriekfest, Slamdance or even PAGE. If you've got a dark, brooding, psychological thriller-type script, you might do alright.

Thursday, August 21, 2008

Exclusive Dead Harvey Interview With Yfke van Berkelaer: Director of "Zombie Love"

"Zombie Love" is proof that women can spill just as much blood in a horror flick as men can. And spill it, Yfke van Berkelaer does. The only difference is, this movie is also a musical.

"Zombie Love" is one of the best shorts I've seen and Yfke gave Dead Harvey an awesome mp3 interview. Like Roger A. Scheck's, "Nobody Loves Alice", "Zombie Love" is even more impressive because it was made when Yfke was in school.

School is usually a time for people to f up. I know I certainly did. Yfke, on the other hand, used her time in school to pursue grants and take advantage of the equipment and availably of local actors and crew to make a stunning debut. Yfke shows us, as filmmakers, what great things can happen when determination meets talent.

For more info, check out Yfke's website at zombielovethemovie.com. There, you will find trailers and hear music from the film. Don't be surprised if the songs get stuck in your head and stay for awhile. Thank's for the interview, Yfke! We look forward to what you have in store for us next...

clip 1 - Background
clip 2 - Theatre vs Movies
clip 3 - Rehearsing
clip 4 - The Neverending Story
clip 5 - Influences
clip 6 - The Zombie World
clip 7 - Pre-Production
clip 8 - Raising The Money
clip 9 - Film Festivals
clip 10 - Grants
clip 11 - Gore As A Choice
clip 12 - Film School: Yes or No
clip 13 - Horror Stories
clip 14 - Shooting Schedule
clip 15 - Budget
clip 16 - Post Problems
clip 17 - Film vs Video
clip 18 - Getting The Material
clip 19 - Directing Approach
clip 20 - Distribution
clip 21 - Zombie Love: The Feature
clip 22 - Dream Movie
clip 23 - Parting Advice