New Horror Coming Out on DVD This Week

Okay, things are slowly getting back to normal around here. Well, the new normal, anyhow. We here at Dead Harvey are working on a few projects and we're going to be spending some more time on those. Of course, we're going to continue to post new things on the site, it may just be at different times and on different things. At the end of the day, if you're in to indie and micro-cinema horror, as a filmmaker or fan, we'll keep you happy. Anyhow, there's really nothing of note, horror-wise, going on at the box office, so I'm just going to get right to the new horror coming out on DVD.

Anyone worth their weight in indie horror knowledge knows that "Piranha II: The Spawning" was the directorial debut of James Cameron. It came out in 1981 and it's the sequel to the low-budget 1978 film, "Piranha". The story goes that James Cameron was originally hired to be the special effects guy, but ended re-writing the script and taking the helm... however, the executive producer, Ovidio Assonitis, got involved and Cameron was only allowed to shoot the film, he wasn't allowed to cut it... legend has it that Cameron broke into the editing room in Rome and cut his own version, but ended up getting caught. In any case, the film was a bit of a bust and Cameron was later allowed to cut his own version of the film, but it's rare. It's probably easy to get now, but I've never seen it. ANYHOW, I'm fairly certain that this story is one of the only reasons anyone knows about the "Piranha" franchise and it's probably why it was remade and available this week on DVD as "Piranha 3D". This version is actually directed by French horror director Alex Aja, who is the guy behind the new wave French Horror classic, "Haute Tension". He also did the remake of "The Hills Have Eyes" and a few other big budget horror films. This is one that I didn't check out in the theaters, but will definitely be checking out on DVD.

Most indie horror fans are aware of the 2004 film "Chainsaw Sally", where April Monique Burril plays the title role of Chainsaw Sally, a girl that witnessed the murder of her parents and grows up to become a serial killer that gets her inspiration for killing from horror films. What I didn't know about... and haven't seen... is "The Chainsaw Sally Show, Season 1", which is now available on DVD. I really dug the film and I'm going to have to check this out. Apparently it's filled with horror references, cameos, gore, hot chicks and hapless victims. What more do you want? All that and I believe it's distributed by Troma... probably through its Troma TV, which I have no idea of how to subscribe to.

I like the cover art for "Halloween Night", but only because it kinda reminds me of the cover art for Slayer's "South of Heaven" for some reason. It's released by Tempe Video and it's directed by Mark Plonia... and it's about a college party gone bad, where a mistreated student exacts his revenge on those who wronged him. His uses the effigy of a living scarecrow, a Frankenstein-like creation, to carry out his plans. Definitely piques my interest...

Here's one for the horndogs... "Chinese Kamasutra" is about an American scholar of Chinese lore that takes a job at a Chinese library and stumbles upon a volume of the Kamasutra... and unleashes her sexual fantasies. There's some sort of connection between the book and some haunted house and then she somehow falls into the clutches of the Kamasutra cult, who probably do terrible sexual things to her.

Interview with Joops Fragale, director of the short horror film, "Simone"

What can I say? I like sex and violence... Hey, you all know the saying, it's as old as film itself, "sex sells". Well, so does violence. I'm not just saying that, either. It really does. Truth of the matter is, for the better part, dramatic films, comedies, action movies and musicals all need a major star to carry the piece. Either that or a major director or something. Pornos and horrors do not. They never have. People are just in to sex and violence and they don't really care who's committing the acts. That's probably why films mix sex and violence so much, it's a natural fit. That's one level of it. The next level is the fact that because a major star, major director or major piece isn't really needed, budgets for pornos and horrors are minuscule compared to their counterparts. Minuscule budgets means bigger profit margins. Bigger profit margins means more money. More money makes Hollywood happy. So, I like sex and violence... but so does Hollywood and maybe that's why I liked the short film from Joops Fragale, "Simone", so much.

Yeah, the film has a full-on girl-on-girl sex scene and it has some great violence, but, really, that's not what got me. Come on, I have a film degree. It takes more than that. The truth is, the film is extremely well put together and crafted so well... and in a way that would make a lot of other filmmakers stumble. It's one of those films where, when you get to the end, you realize that the story is far richer than you originally anticipated. The film grips you at the beginning, then holds you as the plot and characters are slowly revealed over the course of the film. Really, for a short micro-budget horror, you can't ask for much more. However, you can ask to talk with the filmmaker... and that's what we did.

So, Joops, tell us about “Simone”, what’s it all about?

Simone is really a tragic love story. A girl who just wants to be loved, but with a certain affliction she harbors, finds it hard to make a true connection with people. The story picks up on the rare night she does go out on the town and finds someone she begins a relationship with. It’s very much a normal tale of hiding personal demons from others, whether it is drug addiction, life history or a disease. Life’s little struggles. And through the haze of the next morning she slowly puts the pieces of her horrific night together.

If you don’t mind us asking, what was the budget and how did you secure financing?

Simone was self-financed by 386 Films, which is, Producer, Michael Long and myself, along with Executive producer Nicole Long. We also had some great people that donated locations and their skills. The budget on whole was $1275 which included renting dollies and jibs from Mike’s other business Glideshot Industries. Most of the funds went to feed a cast and crew of 14. We do most of the pre and post work ourselves, including the FX make up and physical effects. We have a great, dedicated core crew who bleed for us and we make the most of all available resources. In the end we probably spent about $65 on actual production.

I really like how you slowly revealed the storyline through flashbacks and how you open with the main character seemingly being a victim, then things start to turn around. Talk about how you developed the script and the story.

The original script, titled ‘Hair of the Dog’ was penned by Frazer Lee. It was a great story of which most remained through to the screen version. His story dealt more with the fogginess of the hangover until the realization of the night’s events. When developing the idea we read more into the story and began to see it as a tragic love story. We did see Simone as a victim. So we had Jennifer Ward (Simone) play up those emotions that could be interpreted in various ways. On a second viewing you’ll see how Simone portrays being afraid, but it’s not actually from being in danger, she is terrified of what she has done. There is very subtle differences in telltale signs. It was a very fun premise to explore, and I think Jenn and Erin Cline (Eve) did a fantastic job in bringing that out.

Obviously you went for having lots of nudity, as you had a full-on lesbian sex scene. Talk about the decision to show all that, as you easily could’ve just implied most of it. Was it for the audience or was it for the story?

Ahh, the biggest controversy of the film. Naked lesbians! First, having Simone as a lesbian was as written in the original screenplay. It was a natural fit for the character in our back story development. Also, having a horror story with two women is not a very common approach. Of course, we could have implied both the nudity and the sex, but why shy away from it? Gore is accepted but sex is not? It was essential to the story of the character freeing herself from her normal constraints. The scene is the crux to the underlying story of agony and ecstasy. It’s inter-cut between the two. It would have been cheating to not fully convey that. I think we handled it appropriately. I don’t think it’s gratuitous in any way. Again, Jenn and Erin were incredibly brave and we had a great trusting relationship.

As for the gore and the effects, most of that was implied… except for the aftermath. Was this due to budget restraints or was it an artistic choice?

It was mostly an artistic choice given the budget. The violence part was not essential in the way we were telling the story. There is enough information on screen to know what was happening. Screams. Blood splatter. The aftermath is much more disturbing in how something so beautiful was destroyed. Would we have gone further with the visuals with a budget that allowed for it? Probably. We did shoot more revealing footage for the violence, but in the editing process it didn’t feel right. We did not want something cheesy, just to throw in, when you need to compete with million dollar effects. Any investors out there?

Now, tell us a bit about yourself. How did you get in to indie horror and film?

Mike is a huge horror fan. From the micro-budget to the main stream. He has a crazy DVD collection. We wanted to make a cool little horror film. Our previous projects have been gritty, dark and grim dramas so it wasn’t a stretch. There is a great market for horror and the fans really accept the work if you are honest about it. I won’t say it’s easier to pull off horror on a micro-budget but the genre lends itself to creativity. Plus it’s fun as hell!

Film school: yes or no?

Mike: Yes Joops: No

Talk about your goals behind making “Simone”. Is it for accolades, for a reel, for festivals?

All three. The reviews, so far, have been awesome. Simone has been well received on the festival circuit. It opened the Horrorfind Weekend Film Festival, was featured at the Dark Mills Festival in London and was a semi-finalist in the Action/Cut Film Competition, among others and more to come. We are using this as just another stepping stone towards bigger projects. Hopefully the right someone sees what we are doing and is inclined to work with us on a great project. We just do what we do, if people respond positively to it, then even better!

Talk about the indie horror scene, where do you think it is now and where do you see it going?

Technology has made it so that anyone can point a camera, edit on their iPhone and think they made a movie. Most of what is posted is not horror, it’s horrible. On the same front it allows some truly creative people to bypass the normal channels and get some great projects out to an audience. It still takes quality writing and storytelling to make a good film. There is a craft to it. If Hollywood ever pulls their head out of their re-make loving ass, they’ll realize there is a lot of great work being produced. If indie filmmakers can make amazing work using their resources, scraping together miniscule funds and working with quality actors no one has heard of, imagine what they can do with a little support behind a project.

Where can people check the film out?

Simone is available on DVD. The DVD has the original film plus over 85 minutes of bonus features. Simone will be playing to 1.5 Million viewers on KAZV-TV Modesto, CA (Oct 11 & 26) and on Oct 28th we head out to Hollywood for the Carnival of Darkness festival. Check our website (386films.com) for updates on other festivals and to get the DVD.

What’s next for you?

We are always developing new projects. A feature script is in the works. We have a few new projects slated this year and into next. It’s all about working with great, talented people and upping our game each time to make the best possible film, no matter the budget. We just love the process. We love making movies.