Alright, well... let's acknowledge the 500 pound monkey that's sitting on my couch, drinking my beer and throwing his shit on my walls - this Sunday, March 7th, at the Kodak Theatre in Hollywood, is the 82nd Annual Academy Awards. I know, I know... we're indie guys, and indie horror guys at that, we shouldn't care that much about all these elitists who are just stroking each other, but we do. Why? Well, I could say it's because they nominate the best of the best in the very industry that we strive to be a part of. That is true. I could also say that, at the heart, we're film fans and a lot of the films nominated are just great films and we like to see them honored. That is also true. However, one of the main reasons I like to watch the Oscars is because I think it's a gauge of what Hollywood likes and would buy into. Granted, you never see horror acknowledged, but "Inglourious Basterds" is graphically violent, "District 9" is sci-fi, "The Lovely Bones" deals with horror-like themes, "The Hurt Locker" is gory and "Avatar" is, well... you know what "Avatar" is. Point is, if you're an aspiring screenwriter, get a copy of "The Hurt Locker" or one of the other nominated screenplays and read it. If you're a filmmaker, check out some of the short films and lower budget features. Analyze them. Not like, shot for shot or anything, but why was it nominated? What did they do? Remember... yes, we are trying to blaze new trails in entertainment by creating new distribution models and all that, but this is an industry that dates back hundreds of years and doesn't exactly corner like it's on rails. Also, at the end of the day, don't we all dream of standing up there on that podium and accepting an award? Just a little bit? Whatever the reason, I want to take a bit of a look at the history of the Oscars and also let you know who we're rooting for... Also, I really want to know who you're rooting for and why.So, what about these Oscars? Well, the first Academy Awards ceremony was held on Thursday, May 16th, 1929 at the Hotel Roosevelt in Hollywood. It was hosted by actor Douglas Fairbanks and director William C. deMille. What's funny is, for 81 years, they were they only duo to host the awards. The second duo? Steve Martin and Alec Baldwin, who will be hosting on Sunday. It's the oldest award ceremony in media and most other ceremonies, including The Grammy's, The Golden Globes, etc... are all basically modelled after it. It's presented by the Academy of Motion Picture Arts and Sciences, which is composed of over 6,000 motion picture professionals. The Academy was originally conceived by the legendary Louis B. Mayer, head of MGM at the time, and it was created to mediate labor disputes and improve the industry's image. Really, the first Academy Awards ceremony was created just to give artistic legitimacy to a business that was really just about money... how times have changed, huh? Yeah, it's vain. Yeah, it's about self-promotion. Yeah, it's just marketing. But, come on, we love it.
Now, I'm going to go through a few of the nominated films that I give a shit about and tell you why...
The big film for me is "The Hurt Locker". I'd like to see it get Best Film, Best Director for Kathryn Bigelow and Best Actor for Jeremy Renner. The film was low-budget, by Hollywood standards, only $11Million and a lot of the budget was because it was shot in the Middle East, mostly in Jordan, just miles from the Iraq border. The film is gritty, it's authentic and, really, it kicks ass. Renner's portrayal of Sergeant First Class William James in the film was unreal and is worthy of the statue. However, I do think that the award will go to Jeff Bridges and he does deserve it, but if I could just draw your attention to the fact that Renner played Doyle in "28 Weeks Later" and Jeffrey Dahmer in "Dahmer", maybe that'll sway some of you. As for Bigelow, you probably know that she's James Cameron's ex-wife and that they're going head to head in the Best Director category. Cameron's already got one of these on his mantle and Bigelow also directed "Near Dark", "Point Break" and "Strange Days", three wicked films that received ZERO Oscars... think about that.
Quickly, I'm pulling for Woody Harrelson to get Best Supporting Actor in "The Messenger", not because of "The Messenger", but because it's Woody. He deserves it and he's played so many quirky roles that we love, from Tallahassee in "Zombieland" to Mickey Knox in "Natural Born Killers". Go Woody.
I'm also putting my weight behind "District 9" for a couple of awards. I'd like to see it get Visual Effects and Best Adapted Screenplay. Let's not kid ourselves, it's highly unlikely to get Visual Effects... "Avatar" is a lock. I just want it duly noted that I got drunk with the CEO of Image Engine, the Vancouver-based visual effects company that did the bulk of the effects for "District 9" and that should be worth something. On the other hand, however, I really do think it has a long-shot chance at adapted screenplay. It was a great script...
Also, I should mention that I am pulling for "Avatar", but I don't think it needs my support. Like I said, I'd like to see Best Picture and Best Director go to "The Hurt Locker", then "Avatar" can win everything else that it's nominated for... seems fair.
Now, who are you rooting for and why? Fill up that comments section!
I don't know, it's tough to say anything new about the box office anymore. Once again, "Avatar" is number one overall, although "Legion" did come in second... Currently, Worldwide, "Avatar" has grossed $1,836,143,000. "Titanic", obviously, is the highest grossing film of all time... it's final Worldwide take? $1,842,900,000. So, "Avatar" should surpass it sometime this week and take the top spot. The real story here is foreign box office and if you're interested in how you write something that has that international appeal, "Avatar" is a shining sample. It's all about universal, simple to understand stories, action & adventure and special effects. It's a spectacle film - everyone wants to see a spectacle and it's the same here as it is in India, China or Russia. What's funny is, the Chinese government finally banned "Avatar" from most of its theaters last week because they thought it was limiting the exposure Chinese movies. Crazy... Anyhow, on the other side of the film spectrum, both Sundance and Slamdance got underway this last weekend. There's various good looking horror films that are screening at Sundance this year, including: "Splice", which I'm extremely excited about and anxious to see; "7 Days"; "The Violent Kind", from the infamous Butcher Brothers; "Tucker & Dale vs. Evil", which looks awesome - please, find the trailer on youtube; the much talked about, "Buried", staring Ryan Reynolds and, finally, "Frozen", which looks crazy. I won't get into Slamdance, maybe I'll cover off everything that's playing there later this week, I don't know. However, what I would like to get to is the week in horror DVD releases, as it's the best week we've had in quite some time. As usual, click 
" was directed by Bruce McDonald and was adapted by Tony Burgess, from his own novel called "Pontypool Changes Everything". The entire film takes place in a radio station, as the morning team takes reports of an extreme, bloody riot from their field reporter. As the story unfolds, it becomes obvious that it's not just a regular riot, it's a zombie outbreak. Well, the filmmakers say they aren't zombies, it's a various, but... whatever. The cool thing about the film is, they simultaneously produced the story both as this film and as a radio play. Pretty cool, I'd love to check out the radio play.
". I could be wrong, please argue with me on this one, but... I just found it to be pure sexploitation. Don't get me wrong, sexploitation is overly evident in all Henenlotter films and I'm a fan, but... chasing a detached steroid-riddled penis around? Believe it or not, the film actually won the Phantasmagoria award from the Philadelphia Film Festival, where it premiered in 2008. He's a legend, check it out for yourself and let me know what you think.
". Now, let's not forget that there was also "Dollman vs Demonic Toys", "Puppet Master vs Demonic Toys" and "Demonic Toys: Personal Demons", but this is the OFFICIAL sequel. Full Moon and Charles Band... love it.
". Yes, Walter Koenig, Star Trek's Chekov. Believe it or not, he actually did do some writing over the years, mostly for the shows that he acted in. I've already talked about this particular film, so I don't want to rehash the fact that it stars piles of ex-Star Trek actors... but what I do want to comment on is, is it really about a guy who gives birth to an alien after it grows inside his stomach as a parasite, then he tries to adopt it back in a court case against the government? REALLY? Check out the trailer... I swear that's what the allude to. Either way, I'll be watching this one very soon.
" is about a group of cheerleaders that hook up with a band of ruthless killers, nice mix. Cheerleaders and crazy killers, I like the concept. "
" is a zombedy about a zombies that trap a group of innocent bickering victims in a movie theater and they're more dangerous to each other than the zombies are. I do like the setting and premise, so I'll be sure to check this one out, too. "
" actually has some budget behind it and it won a bunch of festival awards. It's tauted as "a new thriller from the creative team that brought you the Hellraiser and Wishmaster series". Also, it's based on a Bram Stoker novel, I guess. Last up is "
", which is a low-budget horror about 8 people competing for $8Million. The set up is, there's $8Million and 8 people and you're all spending the night in this old mansion. Split the money or one person can walk out with all of it, here's some weapons... have a nice night. Concept seems a bit used to me and the story would really require a good catalyst to get people killing each other, as I'd just say, "I'll take a million, fight amongst yourselves, I'll be upstairs taking a nap. Having said that, I haven't see it, so I don't know... maybe they do a good job of setting it up. 
Well, they talk about this whole recession thing and they say that piracy and home entertainment is cutting into the box office, but... last weekend was the highest grossing weekend at the box office... ever. All time. No shit. "Avatar" pulled back less than 3% from its opening weekend and "Sherlock Holmes" had the second biggest open ever for a film that didn't finish number 1... which was only bested by "The Day After Tomorrow", which opened the same weekend as "Shrek 2". Even "Alvin and the Chipmunks: The squeakuel" raked in over $50Million. I did my part, too. I finally went to check out "Avatar" at Imax. Say what you will about the story and plot, the film is an f'ing spectacle. I've NEVER seen anything like it before and I can't wait to see something like that again. Unreal. If you haven't seen it, I suggest seeing it at Imax. It's an unbelievable experience.
". The best part about it, I don't think it'll lose a bit of its effectiveness when seen on the small screen. In fact, it may be better. Think about it, they way it's filmed, it could be even more effective... it'll certainly add to the intensity and suspense. Anyhow, if you're a reader of this site and you haven't seen it, you really ought to go pick it up and watch it. It's only the most successful micro-budget film to date, not to mention it's the most profitable film ever.
" is the follow up film for "Juno" scribe, Diablo Cody, and the film was a disappointment on a few levels. First up, it just wasn't that great. Secondly, it got slaughtered at the box office. Some of the executives blamed the marketing efforts, others blamed timing... at the end of the day, it just wasn't that good. Having said that, if you're desperate to check out a horror film with some budget and Megan Fox, go right ahead...
", which was written and directed by Alex and David Pastor. The film was completed, and actually screened, way back in 2007... it even got a lot of good reviews. Then, Paramount Vantage was going to release it last September, but I don't really remember it coming out. It must've been one of those projects that fell to the wayside when the studio's started shuttering their indie arms. In any case, it's finally coming out on DVD this week. It's about four people that are fleeing a viral pandemic that's spread world-wide and it stars Chris Pine, AKA Captain Kirk from the new "Star Trek".
" was originally called "Lesbian Vampire Killers" during it's run in the UK, where it was made. It's a horror comedy written by Stewart Williams and Paul Hupfield, directed by Phil Claydon. The funniest thing about the film is that the writers, who were both working in the comedy development department at MTV in Europe at the time, were challenged to come up with the most commercial film project and title they could to pitch as a low-budget, straight to DVD feature... this is what they came up with. It toiled around for a while, but did, obviously, eventually get made. Can't say that the reviews are good, but... with a title like that, the bar is set low. Don't know about you, but I'll be checking it out.
", directed by Tommy Brunswick and released by R Squared. The trailer that I found is in German, but the film isn't... so, it looks like the film had an overseas release. I don't know much about the plot, but the film opens with the trees and wilderness ripping two guys apart, then raping a girl. The girl then goes on to spawn some evil offspring, which go out and wreak havoc... thus the title.
The big day has come and gone, as "Avatar" has officially been released into the wild. I actually haven't seen it yet, but only because I want to see it on a particular Imax screen and it was just insane there over the weekend. In any case, the worst reviews all say the same thing, unbelievable effects and a so-so story, but, then again, if you think about it, "Titanic" had a so-so story. On the flip side, the best reviews say that "Avatar" is going to be a major Oscar contender. Either way, the film is going to easily rank in the top 10 biggest grossing films of all time (some predict that it'll come second to only "Titanic"), it's a massive game-changer as far as effects are concerned and I think it's actually going to change the theatrical experience, which will, in turn, help indie film... I think. Read on and see if you agree.
" had a budget of around $30Million, it was still, in a way, very much an indie film. First up, it was done outside of the studio system which, by definition, makes it an indie film. However, the film was shot in a pseudo-documentary style and starred non-professional actors... and it was a sci-fi film. That's a combo that you ONLY see in indie films... and usually micro-budget films. I feel that films like "District 9" are great for indie film because they attract big audiences and introduce them to a new style of filmmaking... which, in turn, should make audiences more accepting of that no-budget style. In any case, I found the film to be fairly revolutionary and if you haven't seen it, you should. Very entertaining, at least. 
" is the biggest budget horror DVD of the week, which isn't saying much because by most other people's standards, it would be called a low-budget film. "Shattered Lives" is another entry into the ever growing horror sub-genre, the kiddie-killer, which has been fairly big this year. From what I can tell, a bunch of creepy clowns start telling this little girl to start killing people. Reviews are generally good and the clowns look great... not sure I like the voice over work they did for them, though. A little overdone. Expect a big twist ending here, too...
" is shot like a rockumentary, so there's interviews and 'back stage' footage, as it follows the story of shock-rocker Erika Spawn. Really, this pseudo-documentary style is starting to become a staple for indie film. Why? Because it justifies the medium and the low-budget. Personally, I love it... as the more and more audiences accept it, the more doors will open for indie filmmakers - it's such a versatile filmmaking style. Anyhow, I digress... Erika Spawn gains infamy after her music is linked to real-life murders and atrocities... and the film follows her through a bunch of bizarre, bloody incidents and uncovers the creepy and violent truth behind her.
" is directed by Clay Liford and, quite frankly, it looks awesome. It's a low-budget horror anthology, but it looks like he switches from horror-comedy to straight horror to artsy, black and white horror. If you head over to our Youtube page, we've posted the trailer that he put together. I can't do that any justice with written word. Go check it out, it's about 4 minutes long and definitely worth watching.
", but I can tell you this... if you're in to Japanese horror or manga, you'll want to check this bad boy out. Kazuo Umess is the god-father of horror manga and six Japanese horror filmmakers got together to adapt his works into this horror anthology...