Monday, October 1, 2012

Dedfest '12 - October 6th in Victoria, BC


It MUST be October...  because I'm getting lots of requests to promote horror film fests.  I'm more than happy to give time to all of them, too!  I'm posting info on this one now, as the fest is actually next week.  It's not one you can enter, but they are screening some cool flicks.  I haven't actually seen "V/H/S" yet, but I hear it's great and I'd love to check out "Famine"... if you're in the Victoria, BC area -- check this out.  If you're not, try to check out "Famine" and "V/H/S" wherever you can!        

Organizer Ira Hunter of Absolute Underground, Burning Moon Videos and Zombie Walk Victoria are pleased to announce the return of Dedfest Victoria! This is a film festival running into its second season and the schedule for the film festival is hosted below:

Dedfest ‘12

“Just when you thought it was safe... we're back!”

In conjunction with Dedfest Edmonton, Victoria will be premiering the slate of Dedfest films with the Victoria Dedfest Horror Film Festival. This event begins Saturday, Oct. 6th, following the Victoria Zombie Walk on the same day. This is the second year for the film festival!

Victoria Dedfest will screen 4 feature films: Night of the Living Dead, Creepshow, V/H/S, and Famine. A special guest director, Ryan Nicholson, will be in attendance for a Q & A after the final screening. Plus, there will be: prizes, vendors, vintage trailers and more!! The schedule:

3:30pm Screening: Night of the Living Dead (1968)
The original zombie classic directed by George A. Romero.
Trailer: http://www.youtube.com/watch?v=5gUKvmOEGCU

5:15 Screening: Creepshow (1982)
This will be Creepshow’s 30th Anniversary Screening!
Trailer: https://www.youtube.com/watch?v=P_6vtAmFnkA

7:30 Screening:V/H/S (2012)
This is an insane found footage anthology, which has been called "the scariest, rawest horror film of the year!" *this is the film’s Provincial Premiere!
Trailer: https://www.youtube.com/watch?v=7LfLDeXLmAw

9:30 Screening: Famine (2012)
This film is an over-the-top new slasher/comedy feature from Canadian splatter king, Ryan Nicholson of Gutterballs, and Hanger fame. This will be the film’s British Columbian Premiere! The filmmaker will be in attendance!
Trailer: http://www.youtube.com/watch?v=5LDoBN217-w

When: Saturday, October 6th - Doors @ 3pm - First Show at 3:30 - Show ends at 11pm.

Where: The Vic Theatre, 808 Douglas St, Victoria, B.C.

**Advance tickets are available at Absolute Underground (1215 Government St) - $15 for full festival pass or $10 per individual show. $10 Full Fest Passes available at the door to anyone in Zombie make-up or horror costume. More Victoria Event info here: http://www.facebook.com/events/175647359226686/
More info on the Edmonton Festival line-up here:http://www.dedfest.com/

Saturday, September 29, 2012

The Best Article On Filmmaking That I've Ever Read

Yup, that's a bold statement...  but I'm going to share it with you; the best article on filmmaking that I've ever read.  Maybe it's because it really resonated with me, maybe it's because I read it at the right time, but... wow.  Ted Hope isn't talking about horror when he wrote this, but he might as well have.

If you didn't know, the Dead Harvey team is currently trying to get a few projects off the ground.  One's a low-budget horror and the others are more mid-range.  Currently, it looks like we'll get this low-budget one off the ground first, but you never know.  Regardless, we have a bunch of finished, polished scripts, but we just finished the last one and we're thinking about our next.  What to write?

You've had the conversation, right?  Do we do something niche, do we do something more commercial?  This stuff sells, this isn't hot right now.  Everyone wants found footage films, alien films are out, ghosts are in.  Blah, blah, blah...   well, read this article and I think it'll help you when you're at that stage.  It certainly helped me AND it put a few things in perspective.

Without further ado, here's the link to "Everything I Know About Producing, Pt 1".  I hope you like it as much as I did!

Wednesday, September 19, 2012

Interview with Christopher DiNunzio about his upcoming film, "A Life Not To Follow"

Tell us about your film, what’s it all about?

It's called "A Life Not To Follow", A trilogy of Neo-Noir films: Eric is a dead man and he knows it. Death is imminent and he must make amends for his past sins, by killing those who wronged him, no matter the price: A wiseguy willing to do anything to move up in the world must now make the ultimate sacrifice. He must kill his best friend or in turn be killed: An F.B.I.agent turned P.I. is on the trail of a missing girl. In his long search for her he comes face to face with a host of unsavory characters who will lead him to perdition or salvation.

If you don’t mind us asking, what was the budget for the film and how did you secure financing?

Don't know yet, I'm still adding up the receipts and we have one last part that still needs to be filmed. 

As of right now, what are your goals for the film and what kinds of things are you doing to make sure you reach your goals?

We want to play at the bigger named film festivals and get distribution with a studio who can really help us get our film in front of people. Me and our fantastic Producer/Actress Amy DePaola are gong to go over everything after the final cut is done and work to make it happen. But for now we are still putting the film together so that needs to get done before we can even begin acting on any goals we have for the film. 

What about film festivals? Are you going to enter your film? If you have, how did it do? Tell us about your feelings around the indie film fest circuit.

When the film is done absolutely! I help run The Massachusetts Independent Film Festival so I love film festivals!!!(Sept 25,26,28th 2012) They are a great place to get your film and name out there. It's a hard road getting into festivals, a lot of good films don't play at places they should. You just never really know what people are thinking when they see your film. For us at Mass Indie we try to find the best films we can. We don't judge it on how long it is or genre. We want great films! And we want them to be Independent films. Bottom line is when you get into a festival it's a great feeling but you just need to find the right festivals for you. 

Talk about distribution. Have you secured distribution? If so, how did you go about doing that? If not, what’s your plan?

Not yet. I have already talked to a few people. We'll see what happens but my goal is to screen it and see who's interested. I want a lot from my distribution at this point in my career. I know that could be asking for too much but I believe in this film and I can't forget that. 

Where can people find out more about the film and/or get their hands on a copy?

On IMDB http://www.imdb.com/title/tt2179734/ and FaceBook http://www.facebook.com/ALifeNotToFollow Please like both! It would be a great help to us.

Talk about the production. How did it go? Tell us one good or funny story that demonstrates the trials and tribulations of being an indie filmmaker.

Well there was a lot of joking around. Nothing I should share. LOL. But it's been hard but really fun! We have had to get to a bar at 5am to shoot with a time limit and battled weather (Not easy to do in Boston) and I've had extras drop out last minute but in the end we still stand tall! The locations we got are places I would have picked out if we had a ton of money and the acting has been amazing. The look we are getting is just beautiful! It's the best looking film I've done to date. That is thanks to Nolan , he's a great DP. Also 1st AC Alex Huang has helped with that as well. I try to find not only talented people but good people, the kind that know how to act like a professional. You need both! I have no room on my set for divas. That's just not acceptable at all. I've felt really honored to be able to have the cast & crew I have. They have put in so much effort while keeping a positive attitude and it's paying off. The evidence is in how great the film is coming out. I can't thank them enough. Filmmaking isn't easy. When you work on an Indie film everyone who has a credit did something to earn it. So Thank you cast & crew! Michael Capozzi, John Martellucci, Molly Kay, Fiore Leo, William DeCoff, Erica Derrickson, Johnny Cammarata, Jaimie Tucker, William Bloomfield, Vincent Di Nunzio, Leighsa Burgin, Geno Mirabella, Amy DePaola, Keith Bennett, Justin Thibault, Nick Apostolides, Angel Garcia, Madeleine McKenzie, Mark Mandracchia, Michael Caggiano,  Pedro Alvarado, Jason Miller, Nolan Yee, Alex Huang, Laura Grose, Mike Shea, Jessica-Lee Van Winkle, Scott Reardon, Roy Bosell, Steven Panetta, Shawn Contois, James L. Leite. And the best for last Melanie Kotoch! There's more to thank but If I don't stop this interview we'll be one long thank you letter. LOL. One thing and I can't stress enough is find good people to work with and treat them right. Something good will always come out of it. 

What about you? Tell us a bit about yourself and how you got into indie horror.

For me it was Dario Argento. He made me see how Horror can be art. I love dark things. I'm just attracted to them. So being young horror drew me in. As far as getting into crime films. That's from growing up hearing all the stories from my family and friends in the North End in Boston,MA. Now the North End is just a tourist spot but man the things that went on there. 

Talk about the indie horror scene. Where do you think it is now and where do you see it going?

I'm at a loss with it. I'm not sure how I feel about it right now. I'll have to get back to you on that one. LOL. A far as where it's going it will never die. Horror has a great fan base who make it fun to like horror. 

Do you have any more projects in the works? What’s next for you?

A few things but nothing that I'm able to talk about at the moment. It's just not at that stage yet and it's partly because A Life Not To Follow is all I can think about right now. 

As always thank you so much for the interview! 

--
Christopher Di Nunzio  writer/director/producer
www.creepykidproductions.com
http://www.facebook.com/CreepyKidProductions
http://twitter.com/Creepykid

Thursday, August 30, 2012

Ahtanum... and raising money online.

Did you know that the most successful Kickstarter and Indiegogo campaigns are music and film related?  No joke...  indie filmmakers are having tons of success with it.  Having said that, there's a science to successfully raising money.  You can't just throw a few pictures up, state your intentions and the money will roll in.  It can take months to prepare to launch your Kickstarter campaign.  Anyhow, this is an area that we're looking into, as we're looking at launching a few projects through the service ourselves.  If you have a Kickstarter or Indiegogo campaign going or you've had success and/or failure through one of the services, shoot me an email.  I'd love to share the stories....  until then, here's some info on some indie filmmakers that are trying to raise some funds.  Support indie horror!

The masters of Micro-budget Horror are returning once again, and this time, they are asking for your assistance!

It all begins with a secret, one that has been kept hidden in the woods of Central Washington for decades… an unsuspecting group of college students gather for a weekend party and festivities when the group begins disappearing one by one. What’s even more terrifying is the revelation behind it.

Ahtanum, this chilling College-Aged Horror which takes a unique twist was created between Light Productions and new production company, RED Winter Films is producing this project in association with JH Productions LLC. Shooting begins on October 8th, 2012 through October 28th, 2012! After the Film's Picture/Video Lock (1st Q 2013), we will place it in a heavy film-festival run before moving forward with our Indie venues of Theatrical, Online, and Television Distribution.  We aim to film this production on the Red Epic, and if get enough help... it'll be done in 3D! (Do we really need another bloody 3D horror film, um, yes!)

Production Personnel attached:
  • Director - Cliff Goldsmith (A Trick& A Long Way Home)
  • Producers - Michael J. Mitchell (Scarecrow's Last Dance & A Trick), Josh Hodgins (Jackson Horn & Ghost Experiment 3D), Chris Waun, Cliff Goldsmith.
  • Assoicate Producers - Erik Williams (The Man In The Maze), Blake McKinney, and Kyle Wilson.
  • Ashton Leigh (Breakout Kings, Treme, and SYFY's Swamp Shark) is attached to star as well as Christopher Waun (FOX & CW's Jackson Horn) ! More annoucements for Cast/Crew to come! In the meantime, learn more about the production here! https://www.indiegogo.com/ahtanumMovie  
In addition to multiple perks, you'll also receive the warm-fuzzy feeling from knowing you helped donate to an amazing production! If you can't donate, please help spread the word to at least five people!
View our Demo Reel Here - http://www.youtube.com/watch?v=NC1ZnOHtJpY

Tuesday, August 7, 2012

Interview with Greg Hanson about his film, "Thy Kill Be Done"

I love it when we can share a film with our readers, then follow the film up with an interview with the filmmaker...  do yourself a favor, check out "Thy Kill Be Done" -- an awesome nunsploitation short flick.  It's embedded below.  Then, read up on the interview with Greg Hanson, one of the indie filmmakers behind the project!



Thy Kill Be Done (2010) from Greth Productions on Vimeo.

Tell us about your film, what’s it all about?

Thy Kill Be Done is a short nunsploitation/revenge film about an inner city church where the Monsignor Priest is killed by a gang of no-good hoodlums and their drug lord leader, so the nuns in the church’s clergy vow bloody revenge. But these are no ordinary nuns…

If you don’t mind us asking, what was the budget for the film and how did you secure financing?

The budget for the film was about $3,000. This was a student film and we were actually able to somehow get the school to pay for a large chunk of it through campus film organisations that make and finance films. We had to formally pitch to the boards – it was really funny. But everyone was really behind us and super supportive. The rest of it I put up from my bank account, haha.

As of right now, what are your goals for the film and what kinds of things are you doing to make sure you reach your goals?

The film has pretty well done everything we (my co-director Casey Regan and I) could hope for – it has gotten us some great press, it was the first of our films to play a film festival – it has now played more than 25 and still screens – plus we learned a ton from it. It’s now available online for people to enjoy, so I think it’s done pretty much exactly what we had hoped for!

What about film festivals? Are you going to enter your film? If you have, how did it do? Tell us about your feelings around the indie film fest circuit.

The film has played more than 25 festivals worldwide so far and it’s still playing every now and then. It did pretty well but definitely had its fair share of rejections. That’s the way it goes. I love the indie festival circuit – we had some amazing experiences, met lots of great people, had a lot of fun. The indie festival route is sometimes tough but often rewarding. We ended up screening to more than 600 people in a huge amazing theater before Hobo with a Shotgun when we screened at the Sitges Fantastic Film Festival in Spain. Sitting next to Jason Eisener and Michael Biehn (who was there with The Victim) and a ton of other great people, it was very surreal and wonderful. It’s a great experience to finally sit back and enjoy your film with a great audience after it’s all said and done. It’s an amazing feeling of satisfaction.

Talk about distribution. Have you secured distribution? If so, how did you go about doing that? If not, what’s your plan?

Distribution is a slippery thing, especially for shorts. We have talked to a few people over the last few years but it really comes down to a lack of market for shorts. With a few exceptions (the occasional such-and-such director’s early work or Wholpin compilation), shorts are typically special features if they even make it on DVD. So, not surprisingly, nothing has happened on that front. So, instead we put it online for anyone to check out and enjoy!

Where can people find out more about the film and/or get their hands on a copy?

https://vimeo.com/31342303 or go to Grethproductions.com

Talk about the production. How did it go? Tell us one good or funny story that demonstrates the trials and tribulations of being an indie filmmaker.

The production was definitely tough – we had to push the shoot back a few months from late October, 2009 to late January, 2010 because we had to figure out money stuff and get all the pieces together. As you could imagine, a January shoot outside of Boston was pretty brutal – we were pulling 17 hour days because we had to get it all done in a weekend, so we were shooting night exteriors in the middle of the night in 20 degree weather. We had no such thing as a warm room or tent. We were so worried that everyone was going to hate us afterwards and that we wouldn’t finish, stuff like that.

On the last day of the shoot, I had gotten about an hour of sleep before I had to wake up to go to pick people up. But when I got up to get ready, I fell to the floor. I couldn’t really walk or form sentences because I was so delirious. I called up my producer Ben Brewer and tried to ask him something about his car that I was using to pick people up. But I couldn’t finish the sentence. I kept slurring my words and nodding off. After a few minutes of arguing, he said he was pushing the call back. After some fighting, I rolled back over, sprung up three hours later feeling like a million bucks, and we went and shot the whole final sequence of the film. After a long three days, we got everything we needed, it looked great, and everyone had an amazing time.

What about you? Tell us a bit about yourself and how you got into indie horror.

I got into horror movies late in life. This is, in part, because horror movies did what they were supposed to do – they scared the shit out of me. So much so that I wouldn’t sit and watch one until I was 10 or 11, and even then I typically stayed away. But when I was about 13 or so, I watched The Texas Chainsaw Massacre (1974) for the second time and suddenly everything clicked. It all seemed to make sense. It was the first time I watched a movie and I noticed the beautiful art of filmmaking. I noticed cinematography, the eerie sound design, the atmosphere, and I was hooked! The movie ended and I said, “That’s the creepiest thing I’ve ever seen!” and I wanted to immediately go back to the video store and pick up something else. It didn’t take long for me to get my hands on the classics – Suspiria, The Hills Have Eyes, The Fog – and that’s when I knew I wanted to make movies.

Talk about the indie horror scene. Where do you think it is now and where do you see it going?

I love the indie horror scene – it’s pretty much the only horror scene, as far as I am concerned. Big budget horror is pretty much dead – the indie scene is where the innovation happens and horror is and has been such an innovative genre. I love the old school vibe of a lot of the films happening, the mixing of genres, the absurdist edge, comedic twinges. There has been this great movement to make films that channel the best elements of yesteryear – funky music, crazy costumes, real suspense, horror, dread – and employ them in modern stories. It’s great to see less and less straight gross-out films happening and more imagination and experimentation. There are so many talented people making stuff right now - people like Alex Chandon, Ti West, Jason Eisener, Lucky McKee, Alex de la Iglasias, and countless others are making some of their best work right now!

Do you have any more projects in the works? What’s next for you?

We have a short black comedy that we are editing right now called Ipecac about a gambling addict who realizes he can cough up money but rather than pay off his debts, he creates horrible new ones. Casey and I just premiered our latest short, our family drama in a town full of cannibals Meat Me in Plainville at the amazing PiFan Film Festival in South Korea, so keep a lookout for that! Past that, we have some fun scripts coming together involving screwed up families, feudal dojos, post-apocalyptic pimps, and more! So the future holds some fun stuff.

Wednesday, July 25, 2012

Dr Gangrene's Heebie Jeebies Horror Short Film Festival

Have you shot a horror short lately?  Have an idea for a horror short and you think you can finish it by August 22nd?  Well, why not enter it in Dr. Gangrene's Heebie Jeebies Horror Short Film Fest?  If you're interested, check out this press release that we found in our inbox!  


Dr. Gangrene and Culture Cringe Give You The Heebee Jeebees.

Horror Short Film Contest Set To Invade Bucket City

Murfreesboro, TN (07.24.2012) Nashville horror host Dr. Gangrene is teaming with Culture Cringe for the First Annual Heebie Jeebies Horror Short Film Festival. The one night event will showcase horror short films made locally in the middle Tennessee area as well as around the globe.

Dr. Gangrene said of the festival, “I'm excited to partner with Culture Cringe for the Heebie Jeebies film festival. They've been doing some exciting events in Murfreesboro, and their energy and enthusiasm will help make this an exciting event!”

Films will be screened September 29th 2012 at 3 Brothers Deli and Brewhouse located in the heart of Murfreesboro Tennesee, followed by an Award Scaremony honoring the best of the festival. Awards will be given for Best Director, Actor, Actress, Funniest Short, Scariest Short, Best Music Video, a best young film maker award and the Grand Prize of the festival will presented with the coveted Cringie Statue. Winners will also be included on a dvd release from Shackle Island Studios and Culture Cringe and aired on THE CW on Dr. Gangrene Presents television program.

Alongside Dr. Gangrene the festival is being curated by Benjamin Kaboom of Culture Cringe and film maker Cameron McCasland. McCasland said of the films being selected to screen, “I think everyone involved with Heebie Jeebies likes the idea of No Budget Lo-Fi film making. People just picking up a camera and shooting something that scares them, inspires them, makes them laugh, whatever. We want something different. It doesn’t have to be slick to make a good movie. I honestly just love the idea of friends running around in back yards and city streets making monster movies for the hell of it. Thats the stuff I want to see! ”

Films must be 22 minutes in length or less, horror themed,  and meet TV decency standards. The contest is open to U.S. and Canadian citizens. Submissions must be received by August 22, 2012 A full list of rules can be found at http://heebiejeebiesfilmfest.blogspot.com

Culture Cringe is a label specializing in LO-FI media releases of indie musical artists and films on cassette tape, vhs, and a handcrafted self published zine. Culture Cringe podcast all things strange from Bucket City, Murfreesboro TN,  Culture Cringe continues to put on shows and events in offbeat places with a focus on keeping things local and weird. For more information check out culturecringe.com

Larry Underwood is an award winning writer and television producer. Outside of his role of Dr. Gangrene , he writes a regular column for Scary Monsters Magazine and daily musings in his Tales From The Lab Blog at DrGangrene.com

Cameron McCasland is an Emmy nominated film maker from Edgewood Texas who has called Nashville home since 2001. His work has been seen on MTV, CMT, The CW, and film festivals around the globe. His upcoming feature film “The Lashman” is due out later this year.

Friday, July 13, 2012

The Undertakers - Kickstarter Project

If you're looking to finance a film or a project and you don't know about Kickstarter, you need to get your head in the game.  By no means does putting together an awesome Kickstarter campaign mean you're going to be successful, but we're in a world where financing doesn't come easy and it's definitely worth a shot.  Not only that, there's lots of success stories coming out the Kickstarter world these days, but, to get there, they all need help getting attention.  So, I'd like to bring your attention to an awesome looking Kickstarter project called "The Undertakers".  We spoke with Kevin Head about the project and, you know what to do - support indie film, go over to their Kickstarter page and donate a few bucks!


Tell us about your project, what’s it all about?

There are certain places throughout the world that possess supernatural properties, where the dead inexplicably rise from the grave to hunt human flesh. Charged with defending this dangerous secret are a group of highly skilled agents in a private organization referred to as "The Undertakers". Their mission: to identify, segregate, and stand vigil in these dangerous areas preventing the possibility of a catastrophic outbreak.

The Undertakers will be set in a highly stylised world with dark-gothic elements. Our character and zombie designs are created with a Burtonesque feel, giving the film a touch of similarity to classics like Cemetery Man and Underworld.

But the emphasis is on story. The web series centers around the sacrifices these brave men and women make in order to protect the world each and every day, in total secrecy.

Oh, and let's not forget to mention the kickass zombie killing scenes in which our characters prefer the traditional weapons of old, so that they might kill silently and swiftly.

If you don’t mind us asking, what was the budget and how are you going to secure financing?

At the moment, we are producing a series of web shorts that will lead up to the storyline of the feature film. We have decided to take the unconventional approach of crowd funding (Kickstarter.com) for raising the budget for these shorts for multiple reasons. It allows us to connect with fans of the genre directly, and give once-in-a-lifetime type rewards for their participation in raising the funds. Those who participate can receive cool items like an "I heart zombies" T-shirt, replica LARP swords and signed posters. They can also receive exciting rewards like Skyping with Richard Hatch (Battlestar Galactica), Producer credits and even a chance to appear as a zombie in the series.

To find out more visit our kickstarter website: http://kck.st/KAoAmv

We are working to fund two separate groups of web shorts. The first has a budget of $28,000 and the second will be produced if we reach the goal of $55,000.

As of right now, what are your goals for the film and what kinds of things are you doing to make sure you reach your goals?

We are producing these web shorts for a couple of reasons. First, we want to give fans a taste of what the world of The Undertakers feels like. We have been producing artwork, short stories and screenplays for a couple of years now and have a growing fan base that has sprung from our exposure on MySpace and Facebook. This is mainly for them.

But, it also allows us to have something to show as we go looking for funding from production companies and investors for the eventual feature film The Undertakers: Road's End.

What about film festivals? Are you going to enter your film? If you have, how did it do? Tell us about your feelings around the indie film fest circuit.

As of now we have no plans to enter the shorts into any festivals. It is mainly for use on our website and will be distributed on dvd to those participating in the kickstarter campaign. Hopefully, these little gems will become a little part of our success story, and coveted by those who have them.

Where can people find out more about the film and/or get their hands on a copy?

You can find out more about The Undertakers by visiting our Kickstarter page: http://kck.st/KAoAmv, by "liking" us on Facebook to follow our progress: https://www.facebook.com/TheUndertakersinfo, or by visiting our official website: www.theundertakers.info.

You can only receive a DVD by making a small pledge on our Kickstarter page.

What about you? Tell us a bit about yourself and how you got into indie horror.

I've been a fan of the genre since watching the late-night double-feature of Night of the Living Dead and The Children at age 8 on Detroit television. I obtained a degree in Television Production at Ferris State University and became a post-production specialist, trained in editing, animating and camera.

About six years ago, I decided to follow my heart and pursue a career as a writer/director in feature film. My writing has garnered recent recognition, as I have been covered by William Morris Endeavor on the recommendation of Darren Lynn Bousman (Director of several films in the Saw franchise), hired by Zeitgeist Productions to pen a horror film now in development, and cultivated several invaluable relationships with recognizable actors with the desire to work on several of my projects. I have several other projects in the works, but this is the one closest to my heart.

Talk about the indie horror scene. Where do you think it is now and where do you see it going?

Indie horror is in a very interesting place right now. With the collapse of our economy a few years back, production companies were forced to adapt. The result for Indie writers, producers and directors were fewer options and sales. The amazing thing for me is how filmmakers always seem to find a way. From the ashes of our economic despair comes a new platform like Kickstarter.com, which allows fans to decide what gets made and what doesn't.

It's a frustrating, yet exciting time for those of us working our asses off trying to get our films made.

Adapt or abandon your dreams.

Do you have any more projects in the works? What’s next for you?

There are a few other things in the works at the moment. As we adapt, learn and get efficient at what we are doing, others look to use that knowledge which has led me to the producing side. I'm planning to be associated with a few other web projects in the near future.

We are also gearing up to fund another film I have in preproduction entitled "Black Storm", which centers around a small community plagued by a group of malevolent entities trapped inside a massive dust storm.
 

Wednesday, July 11, 2012

New Horror Festival: Horror-on-Sea Film Festival

If I'm going to be telling everyone how important the film festivals and screenwriting competitions are, I should probably start updating our listings of them.  It could be a while until I get through all of that, but until then... here's a new one you should check out.  Best part about this one?  It's free to enter.  Also,  really like the idea of a faux trailer competition.  Here's what festival director, Paul Cotgrove, had to say: 

Next January sees the start of a brand new Horror Film Festival based in the seaside resort of Southend-on-Sea, Essex. England. The Horror-on-Sea Film Festival will be screening a mix of Horror Films from the UK and the rest of the world. We are now accepting feature length submissions on DVD until the 30th September and admission is free. There is also a faux trailer competition. Please go to www.horror-on-sea.com or email horror@thewhitebus.org.uk for further details.

Be sure to check it out!

Monday, July 9, 2012

"The Meat Puppet" - Filming in New Jersey right now!

New project filming in New Jersey right now, check it out.  Always good to keep up on what's going on out there.  How about you?  Are you filming something?  Want to promote your project?  Let us know!

Monday June 25, 2012 NY, NY Horror / Thriller

"THE MEAT PUPPET" (1. meat puppet; (noun) person(s) that have no will of their own; somebody that lets others control them. Another name for a human being, especially one who doesn't think for him/herself, has no soul and is therefore controlled by others).

"Currently filming in New Jersey is this year’s new bone chilling horror/thriller “The Meat Puppet”. From the mind of Award Winning Actor Keith Collins, along with Silver Phoenix Entertainment, Valenti Vision Films and the pen of NY Emmy Award Winning writer Joseph Pepitone and Billy Pepitone (“Stuck in the Middle”) comes a sadistic thrill fest, full of twists and turns, that is sure to give movie goers the fright of their lives.

A vain, successful playboy tortures and kills beautiful girls and uses them to make the perfect meal for his lavish dinner parties. Body parts, blood, torture, cannibalism and NO escape are a few ways to describe this clever new terrifying and psychologically damaging creep show.
“The Meat Puppet” tells the story of Andrew “Drew” Shelton who has it all – looks, money, women and an insatiable taste for human flesh. His vanity is only surpassed by his obsession with finding the perfect tasting meal and it has fueled his appetite for killing, preparing and cooking beautiful women. He throws lavish dinner parties and serves his guests his latest victim and one unlucky guest becomes the main course of his next get together. When a no-nonsense detective starts putting the pieces together, it leads to a game of cat and mouse that only increases the stakes. But is Drew the soul-less, cold-blooded killer that he appears to be? Or is he just the Meat Puppet for a more sadistic mind?

Directed by Joe Valenti (“Echelon 8”). Produced by Keith Collins. Produced & Executive Produced by Blaze Kelly Coyle and Joe Valenti. Written by Joseph & Billy Pepitone. With a well-rounded cast including many special appearances and STARRING: Gregg Valentino (TLC’s “The Man Whose Arms Exploded”), Billy Sample (“Former NY Yankee”), Brandon Ruckdashel (“Co-ed Confidential”), Geri Reischl (“Gunsmoke”,“The Brady Bunch Variety Hour” aka Fake Jan), Jason Prager (“Beauty and the Geek”), Billy Garcia (“Survivor”), Gary Garver (“formerly from the Howard Stern Show”), Ron “Bumblefoot” Thal (“Guns N Roses”), Erick Chopin (Winner of NBC’s “The Biggest Loser”), Keith Collins (“Stuck in the Middle”, “BIdentity Crisis”), Jamie Reed-Kovac (Fury – “American Gladiators”), April Hunter (“WCW”, ”TNA”), Doug Bollinger (“Waltzing Anna”, “Mail Order Bride”),Theresa Galeani (“Cross the Line”, “I am Legend”), John Fields (“A-List DJ Unique”), Anastasia Smith (“NY Majesty Lingerie Football League”) and Faith Stanek (“Star Trek Phase 2 Web Series”).

The Meat Puppet

Thursday, July 5, 2012

Why You Should Bother with Screenwriter Contests and Film Festivals

Yup, it's been a while since we last posted anything...  but, I'm ready to get things back on track.  What can I say?  I want to get in touch with more horror screenwriters, filmmakers and festival folks.  I want to give more indie horror projects promotion and help get stuff out there.  I have to keep posting because we have to elevate this little sub-genre!

Anyhow, over the last, I don't know, year or so...  I've decided to make a serious effort to take this whole thing to another level and that's really why I haven't had time to post anything.  We've been working on launching a new website (more on that in the coming weeks), I've submitted some of my scripts to some screenwriting competitions and I've been trying to help produce some films.  The attempt to produce films has really taken a lot of time, but I'll tell you what... it's a huge learning experience.  One thing I've learned, and that I'd like to pass on to you, is that the film festivals and screenwriting contest are more important than you think.  Here's why...

There's a million ways to produce a film, but let's simplify this a bit - on one side, you have the equity financing model and on the other side, you have the debt financing model.  Equity financing means you have the equity - long and short, you've got the money and you're funding it yourself.  If that's your model, have at it.  You can write, direct and produce your project any way you'd like.  Debt financing, on the other hand, means that someone is willing to pay for the final product and you then get someone to lend you money against that promise to pay, so you can go and produce your film.  Most indie films are, at least in part, financed this way.  Yes, there's lots in between and that's a very simplistic view, but I'm making a point here, okay?  Now, how much this person is willing to pay for this unmade project depends on how you've packaged it up.  There's three major components: talent, script and director.  The big thing is talent... who are the actors?  If you're a friend of Brad Pitt's and he's willing to attach himself, boom... you're good to go.  Don't worry about the script.  However, most of us need to convince talent to come on board and we need to convince people that this is a good project.  So, that leaves the writer and director.  I'm going to concentrate on the writer here, as I feel the script is the true foundation of any project, but this is just as pertinent to the director.

You need a good script, where do you get it?  A script by a produced and/or working screenwriter is one thing, they have proven that they can write material that works.  I'm not talking about your micro-budget film that you produced and financed yourself, either.  I'm talking about a script from a working Hollywood screenwriter.  Get a script from one of them, you've got a good base.  However, getting a script from a well known or produced writer can be tough, especially if you're an unproven producer, so you might have to go a little further down the trough... or you might want to use your own material.  If that's the case, you need something that makes that script stand out, something that says, "this is worth taking a chance on".  So, what separates you from the rest of the pile of unproduced and non-working screenwriters?  See where I'm going with this, yet?  It's awards and accolades.  Where do you get those?  From winning film festivals and screenwriting competitions.  I've read bio's on writers that say things like, "quarter finalist in such and such" or "top 20% in this and that"...  and that makes the bio on the writer far more compelling than, "I think I'm a pretty good writer", which is what you're saying if you're unproduced, unpaid and haven't won any awards.  Don't kid yourself, most people won't read the script.  They'll read your bio, the logline and, if you're lucky, your outline.  You want to separate yourself from the pack?  These awards and accolades make a big difference.

So, do yourself a favor, enter the festivals and competitions.  Even if you're just producing and financing your own film - it helps sell it once it's done.  Also, on the writing side, if there's an option to get coverage, take it.  It costs you a bit extra, but you can learn where you can improve and you can learn what these guys want.  Then, you'll know what you need to do when you enter the next festival to get some accolades.  Once you have accolades, you're on your way to being a produced and working writer and/or director.

What do you think?  Got a different opinion?  Let me know!