Showing posts with label disney. Show all posts
Showing posts with label disney. Show all posts

Monday, August 31, 2009

New Horror Out On DVD This Week, plus some industry news

Well, my PC is in the shop and I'm typing this out on my laptop... I'm keeping my fingers crossed, hoping it's just a power supply problem. However, if it's the motherboard, I'm hooped. Anyhow, not your problem and I can only rely on the power of positive thinking at this point. So, before we get to the horror that's coming out on DVD this week, I wanted to mention a few things that are going on, industry-wise. One, "The Final Destination" won the weekend at the box office and "Halloween 2" came in third... "The Final Destination" raked in over $28Million, "Inglourious Basterds" came in 2nd with just over $20Million and "Halloween 2" brought in around $17.5Million. I hate to just cut and paste from another website, but BoxOfficeMojo.com offered up an interesting quote about why they think this happened...

"Unlike The Final Destination, Halloween II (2009) was a continuation of the story of its predecessor and effectively offered the same slasher horror that audiences already experienced. It's difficult for horror franchises to maintain their audiences, because they are often ephemeral experiences and, once people get the scares, there's little reason to return. Franchises like Final Destination and Saw are exceptionally consistent, because they keep things fresh with new characters and more compelling suspense and mystery elements."

Interesting take, I never really thought about it that way... so, having a big long, continuing story arc is bad and creating a series that can consistantly be reinvented with new characters, elements and storylines is good. I'll have to mull that over for a bit, right after I look up the word 'ephemeral' on dictionary.com.

The other big news is that Disney just bought Marvel this morning. Here's a link to an article on the deal from Reuters. Disney paid around $4Billion for Marvel and, personally, I think it makes sense for Disney. Marvel's a character/franchise based entertainment company with a huge library and that's Disney's wheelhouse - they're a franchising, marketing and licensing juggernaught. Marvel's set to release a bunch of movies, including "Thor", "Spiderman 4", "The Avengers" and "Captain America" and I just hope that none of that's effected.

Anyhow, on to the horror releases, not that there's much to talk about. I found trailers for three of the films and you can check those out on our Youtube page, otherwise you can click on the titles and go to their Amazon pages to find out more about them.

First up is "Methodic", which is the self-proclaimed first 'basher movie', meaning that the killer bashes all his victims to death, as opposed to 'slashing' them... it's a low-budget indie, directed by Chris R. Notarile, and it appears to draw on the original "Halloween", as it's about a guy who kills his family, is sent to an insane asylum, but breaks out to get back into the whole killing game. The film looks great and the killer looks extremely creepy... and the film was shot over 10 days. Notarile has made various online projects, as well as made numerous short films. He's definitely an up-an-comer in the industry and I may have to reach out and try to do an interview with him.

"Earth Day" is a low-budget horror-comedy indie out of Eugene, Oregon from Faux Show Productions and it's about a group of eco-crusaders who find themselves getting slaughtered as the one year anniversary of the tragic death of their leader approaches. No offense to any hippie readers that we may have, but I always love watching hippies get slaughtered. So, as their tagline goes, "forget the whales... don't worry about the trees... just save yourself".

"Humanity's End" was directed by Neil Johnson, who also directed "Manowar: Magic Circle Festival, Volume 1" and various other Manowar videos. Not that those are his biggest works, by any means, but you have to respect a guy who's made Manowar videos. Anyhow, "Humanity's End" is his biggest film to date and it's laden with effects. In fact, on imdb.com, it says that the catering budget for this film alone exceeded the entire budget of his second film, "To Become One". I'm very interested in finding out the actual budget of it, as it looks great, but does have that distinct b-movie feel.... which I've grown to love, adore and crave.

Also out this week are: "Drifter: Henry Lee Lucas", which stars Antonio Sabato as Henry Lee Lucas, the serial killer that was originally popularized by Michael Rooker in "Henry: Portrait of a Serial Killer"; "To Dance with Death", a Brinke Stevens films; something called "Death Scream", as well as the rerelease double-pack "Blacula/Scream Blacula Scream".

Tuesday, June 24, 2008

Linkapalooza - June 24, 2008 - Disney's giving its movies away, Clive Barker can't get his movie out there... and other news.

There continues to be some newsworthy things going on out there in the world of entertainment. So much so, that I'm saving a few articles for next week...

Watch Disney Movies Free Online Series Of Ad Supported Films on the Web - from WebTVWire: Remember how I mentioned a little while ago that I always keep a bit of an eye on what Sony's up to because they're a 'game changer'? Well, Disney is another company that I watch closely and would also consider to be a 'game changer'. Way back in the day, when studios were worried about this new invention called 'television', Disney embraced it and created it's TV program, which made it the first studio to show its recent films on television. The studios later fought VHS and Disney, once again, embraced it... finding new audiences for its older films. When studios were thinking box office, Disney was thinking branding and licensing. Long and short, they've always been ahead of the game. So, when everyone's bitching about online distribution, guess who the first studio to releases its movies for free online is? That's right, Disney...

Dark Knight Director Shuns Digital Effects for the Real Thing - from Wired.com: Big long article/interview with Chris Nolan, director of the upcoming "The Dark Knight", and how he opted for real stunts as opposed to CGI effects. If you're as stoked about "The Dark Knight" as I am, it's a good read. Also, I gotta say, ever since I saw those shitty CGI vampires in "I Am Legend", I've adopted a very anti-computer generated effects stance... so, you go Chris. Dead Harvey's got your back, buddy.

Horror Fans Angered After Learning Lionsgate's 'Midnight Meat Train' Is Now A DVD-Express - from Defamer: This whole story just won't go away... So, a quick recap on what's going on with "Midnight Meat Train": A major theatrical release turns into DVD release. Title is changed to "Midnight Train" from "Midnight Meat Train", is going to be given its theatrical release again. "Meat" returns to title, theatrical release becomes limited theatrical run... 'Barkerites' angered, demand wide release. So, what's next? Personally, I don't care. Here's what f'ing pisses me off - the film is done and I want to see it, period. So, if you're an indie horror filmmaker and you think the whole distribution side of the business sucks ass, what do you think Clive Barker and Ryuhei Kitamura think? Unbelievable...

Netflix boxes sell out - from Mercury News: I talk a lot about bridging the gap between the internet and your TV and how no one seems to be able to put a decent product forward... well, maybe Netflix has done it. First off, the price is right - $100 is cheap enough to where people will give it a go and it's simple and marketable. They're tapping an existing market, their own customers, and it, technically, is a win/win situation. Netflix doesn't have to pay for postage, packaging and things like that and the movies are available instantaneously for consumers. Now, here's the test... how many NEW subscribers will they get AND will they be able to tap into other content. That's what you need to watch for... if either of those things start to happen, we may have a winner on our hands here... and if we have a winner, we have a new way to distribute indie films.