Monday, April 7, 2008

Linkapalooza - April 7, 2008

Uwe Boll Will Quit Making Movies with One Million Signatures - link at /film. Here's the thing, press is press and Uwe Boll gets a lot of it. The filmmaker who actually got in a boxing ring and fought his harshest critics (and beat them all, three in a row, by the way) hasn't made a good film in... well, possibly ever and yet almost everyone knows his name. Further, he's got four films in production right now: "Tunnel Rats", "Far Cry", "Zombie Massacre" and "Bloodrayne 3". How does a notoriously bad filmmaker keep getting green-lit? I'll tell you why - because there's so many people that hate him, but they all have to go see his movies just to see how bad they are! So, what can you learn from him? Good, bad, ridiculous, terrible, awesome, whatever your film may be, if people talk about it, people will see it.

Free Frights from The Scream Factory! - link at Dread Central. Now, this is cool... the guys over at Dread Central wrote a post on The Scream Factory, which is an 'alliance of film, music, literary and comic book pros' and they're giving away ebooks for free over at Wowio. As most of you know, I'm a huge supporter of giving away free content and here's yet another company that's figured out how to make a win/win situation. Basically, you can go download free ebooks, but they're sponsored. So, the sponsor is paying both the author (and the website) for the opportunity to advertise to you, the person who's downloading the ebook for free. Everyone wins... go check out the site, check out The Scream Factory Myspace page and go get some free ebooks, there's piles of horror on there.

"Troll 2" Doc & Fan Film Contest?! - link at Shocktillyoudrop. Okay, what the hell is it with "Troll 2"? Why has it become this cult classic? It's seems like it came out of nowhere, a forgotten film from 1990 that was a so-so, b-horror and, all of a sudden, it's like the most popular horror film out there. It's been years since I've seen it, but I'm going to have to go back and check it out. For a while there, I thought it was just coincedence that "Troll 2" kept popping up on fan sites and in horror mags, but this proves it. There's something going on here...

Copyranter talks about "Zombie Strippers" - link at Copyranter. Now this goes to show that if you get weird, stupid or odd enough, you can both transcend the genre and probably get some free promotion. Copyranter is a blog written by an advertising copywriter (basically, a person who writes copy for ads) and they have no rhyme or reason to be talking about low-budget, b-horror, but here they are talking about Jenna Jameson's "Zombie Strippers", which is now getting a theatrical release, by the way. When I first read about it, I knew it was going to get some press. Having Jenna Jameson in a splatter-fest called "Zombie Stippers" is just too good (or, in this case, bad) to not go and check out.

Jensen Ackles is in final negotiations to play a lead in Lionsgate's "My Bloody Valentine 3-D." - link on Hollywood Reporter. WTF? Is this for real? Not that ANOTHER actor from the CW is ending up in a Horror remake that's geared at teenagers... but that it's in 3D? I understand the reason behind making 3D films: it's a spectacle, it'll get kids in the theaters and, theoritically, you'll need to go to theaters to get the full effect. However, the remake of "My Bloody Valentine"? Come on...

Friday, April 4, 2008

Got a finished script? Lucky for you, the 2008 PAGE Awards extended their deadline!

I've already discussed The 2008 PAGE International Screenwriting Awards competition a little while back (here's the link), but I just got a note from them and I thought I'd pass it on to you because if anyone's got a finished script laying around that they don't know what to do with, it's you. Also, since I wrote my last post, I had a chance to speak with Jennifer Berg, the Administrative Director and she did tell me that horror scripts tend to do alright and there's definitely a demand for them. So, dust off that finished script that you've got laying around and throw it in the mail, what have you got to lose? Also, I'm thinking that if you wrote a script, then went out and shot it yourself and you're either self-distributing it or you have a very limited DVD release, there's no reason you can't enter the script. I don't know if there's a rule against entering scripts that have been produced and, to be honest, I didn't really read the fine print on there, but... are the guys who read these really the type of guys who would go out and rent low-budget, shot of DV horror? I kinda doubt it... so, chances are they'd have no idea that it's actually been shot already.

Anyhow, here's the note they sent me...

Just in case you haven’t already entered this year’s contest, I wanted to remind you that the Late Entry Deadline for the 2008 PAGE International Screenwriting Awards competition is just a few days away -- Tuesday, April 15th. Don’t miss it! This year our judges will once again be presenting a total of 31 awards in ten different genre categories. The winning screenwriters will receive over $30,000 in cash and prizes, including a $10,000 Grand Prize, along with Gold, Silver and Bronze Prizes in all ten categories.

Over the past four years the PAGE Awards competition has become one of the most important sources for new screenwriting talent within the Hollywood community and worldwide. Since receiving their Awards, many of our past winners have gone on to land script assignments, secure representation, and sign option agreements on their work, and several now have movies in various stages of production and release. You can read the latest news from our winners on our website: www.internationalscreenwritingawards.com/news.shtml

Due to the success of our winning screenwriters, the PAGE Awards competition has become extremely popular, and we receive many entries each year. However, the way the PAGE Awards is structured, it actually operates as ten small, highly-focused contests, so in the First Round of competition your screenplay is only competing with a few hundred others in the exact same genre category. And because we want to give full consideration to as many scripts as possible, each year the judges advance the top 25% of all entries to the Quarter-Final Round, where your screenplay will be given a second read by another judge. Next we announce the top 25 Semi-Finalists in each category. Then the top ten Finalists in each category. Then this September all of our Finalists in all ten categories will be competing for the Grand Prize. It's all designed to give your script the maximum possible attention and the best possible shot at an Award.

But now let me tell you the real reason to enter the PAGE Awards contest. It’s not just about the winners. Ultimately, this is a wonderful opportunity for everyone who participates.

First and foremost, at each level of competition your work is reviewed by industry professionals – people who have the connections and the ability to represent, promote and/or produce your script. So, win or lose, just by getting your material into the hands of these Hollywood insiders you have the chance to launch your career. In fact, several of our past Finalists and Semi-Finalists have gained representation or sold options to the judges who read their scripts during the contest. And our judges and staff have been instrumental in promoting many of our contestants’ screenplays to other industry contacts, as well.

Also, when you enter the contest, you will have the opportunity to request Feedback from your First Round judge. If you order Feedback, your judge will write you 3-5 pages of notes specifically designed to help you develop your screenplay: explaining how he/she scored your script, describing your script's strengths and weaknesses, and offering any suggestions for improvement. It's a great way to see how an industry professional evaluates your script.

You want know the best part of my job? It’s getting all the wonderful emails from past contestants who, whether they won a prize or not, are making huge progress in their careers. Here’s a sample of one message I received a few weeks ago. (And as I’m sure you can imagine, this one really made my day!)


“I was a Quarter-Finalist last year with my script CLYDE THE GLIDE, THE BOY WHO TRIED, a family comedy. That was nice, but what was great was the input I got from my judge. He gave me pages of help on formatting (most of which I did not know) and lots of encouragement about the good points of the screenplay. How if it was cleaned up format-wise and otherwise fine-tuned it would be marketable and memorable. It was well worth the little bit of money I paid to get some advice and pats on the back from a savvy industry veteran.

“I did all that he advised, and also did some reading about screenplays in recommended books, and then started sending inquiry letters to various independent film companies in L.A., to which I got no response. Not even an acknowledgment that they had received my inquiry and they weren’t interested thank you very much. Finally I started going out of Hollywood with my inquiries, and a production company in Canada agreed to look at the script (it was the first one that did). They loved it. We have exchanged letters of intent and plan to produce it in spring/summer 2009. Funding looks good and we are already looking for a director, a star, etc. So there you go.

“Your contest is the classiest, best organized, and deserves the great rep it has. You all have been a tremendous help to me and I will forever be grateful for that.”
Bret Kofford
Imperial, California

All of us here at PAGE H.Q. are very proud that so many of our past contestants are now realizing their dreams, and we’re very happy that we’ve been able to encourage and assist in their success. And of course, we’re very excited about this year’s fifth anniversary competition. I hope you plan to participate!

If you’ve already submitted your script, thank you very much! And if you haven’t yet entered this year’s contest, please make sure to get your entry postmarked or submitted online by midnight on April 15th.

For more information and access to our easy new online entry forms, please visit us at:
http://www.internationalscreenwritingawards.com/

We look forward to reading your script!

Best regards,
Jennifer Berg
Administrative Director
The 2008 PAGE International
Screenwriting Awards

Thursday, April 3, 2008

Forget that feature, make a short. Reason #1 - Alex Masterton's "Mr. Video"

Now, keep in mind, I don't intend this next statement to be taken as an insult, it's not. It's just a simple fact... most indie horror filmmakers are on the outside of Hollywood, looking in. Not even looking in, must of us are in the parking lot, looking at the people who are on the outside, looking in.... picking up pop cans, trying to raise enough money to buy some DV tapes. There's very few people who made it in the business, then decided to give it up to make 'creepy for cheapy' movies out of pocket. Most indie horror filmmakers are plugging away, any way they can, not even really trying to make a living making their films. In most cases, they're just trying to make an audience... and build some cred while they're at it. Then, one day, hopefully, they'll get their break... somewhere, somehow. I think it's widely known that one of the best routes to take is by entering film festivals. If you can manage to screen at one, let alone win something, you're on your way to some recognition, which won't fill up your gas tank, but it will fill up that ego and get you some contacts. A lot of film makers instantly want to go the way of the feature, but that's not always the best thing to do... a feature is at least 90 minutes long and they can only screen so many of them at any given festival. However, they can cram a lot of shorts into one night of screenings. On top of that, shorts don't usually take as long, or cost as much to make. Let's take a look at Alex Masterton's 15 minute short, "Mr. Video", a film that recently came to my attention.

Mr. Video" is about the owner of a small video store who struggles, in vain, to earn a living, as he's competing against DVD piracy, internet downloading and an array of customers who never seem to rent anything. Things soon change when a young man enters the store and pushes the owner to the breaking point... I haven't actually seen it yet, but you can check out the trailer here. The quality looks fantastic. Also, it has to be alright, as it's screened at 12 different festivals, including: Tromadance, Rhode Island Horror Film Fest and the Freak Show Horror Film Festival, to name a few. He's been receiving a lot of press, a lot of exposure and he's winning a few awards on the way.

So, instead of dumping all your money into making that feature, maybe you should think about making a kick-ass short, it could be an easier road to take. ...and I'll tell you what. I'll find out how it's working out for Masterton, as I'm supposed to be talking with him about the film soon.

Wednesday, April 2, 2008

Not-so-exclusive interview with Jeffrey Reddick, Writer of 'Day of the Dead'

This interview is so 'non-exclusive', it's not even written by us, done by us or even on our site, but here's a link to it on eSplatter.com... all we did was read it.

Personally, I just like reading interviews that reveal how people got to where they are. Granted, the "Day of the Dead" remake is shit and Reddick's legacy is the "Final Destination" films... and I'm not saying that's good or bad, I'm just throwing it out there. The "Final Destination" series is actually quite good and, maybe the script for "Day of the Dead" is better than the actual film, which is, like I said, shit. In fact, he kind of eludes to the fact that 'he's only the writer' and that Steve Miner, the director, did his own thing at parts. More specifically, it appears that Miner is responsible for the fact that zombies seem to have "Matrix"-like abilities in this film... and that was one of my biggest quams, it's just wrong on so many levels.

Anyways, check out the article. He gives some great insight into how he got started and what he's up to.

Monday, March 31, 2008

April 1, 2008 - New, worthy horror out on DVD today

Sure, I could lead with "Sweeney Todd: The Demon Barber of Fleet Street", but I'm not. This site isn't about big budget films (although I did kinda like "Sweeney Todd" and I will cover it second), this site is about indie horror... so, I'll lead with indie horror. Let's start with Anchor Bay's "The Cook".

"The Cook" is being released by Anchor Bay and it comes from director Gregg Simon. Simon worked for Brett Ratner while he was in college, then went on to make music videos and do some work in commercials, all while he also out making short films. His award-winning short film "The Final Resolution" screened at 15 international film festivals and earned him a slot as a finalist in the Project Greenlight Directors Competition. "The Cook" is his first feature length film and it's filled with boobs and guts. The story revolves around a sorority house over a long weekend and the handful of girls that stay behind for three days of partying, sex games and strangely delicious meals prepared by their odd new chef. The sisters start disappearing and the remaining ones 'find themselves trapped in a nightmare of graphic slaughter, involuntary cannibalism and heaping helpings of gourmet nudity'. Sold!

So, a lot of low-budget horror gore hounds are not going to like "Sweeney Todd - The Demon Barber of Fleet Street", but it is a horror... and it does have gore. Admittedly, it does take a bit to get over the fact that they sing throughout the whole movie and I'm not really a big musical fan, but... look, it's the best movie that came out of the "Best Movie" category at the Oscars as far as I'm concerned and the story is great. Did you know that they actually had to cut some of the movie to get an R rating? The American cut focuses more on Johnny Depp than the gore, so maybe you should check out the international cut for that extra 'je ne sais quoi'? Either way, culture yourself and watch it... as far as horror-musicals are concerned, we can only hope that "Repo! The Genetic Opera" is half as good.

"Fear House" comes from indie writer/director Michael Morris, whose only other feature is "Last Seen at Angkor", although he's made a couple of shorts, also. I don't know too much about him, but it looks like he got his start as a P.A., then worked a bit as a D.P. before breaking into writing and directing... "Fear House" is about a group of friends and family who pursue an estranged writer to an isolated house, only to find that once they've entered, their own fears will kill them if they leave.

James Van Der Beek in a movie about a giant squid, must be a Sci-Fi Original... "Eye of the Beast" is, in fact, a Sci-Fi Original and it comes from director Gary Yates and writer Mark Mullin. Gary Yates is actually an award winning Canadian director and "Eye of the Beast" marks his inaugural move into horror, even though he quickly followed it up with another Sci-Fi Original, "Maneater". Mark Mullin wrote another Sci-Fi Original, "Something Beneath", as well as "Extreme Ops". I'll tell you what, once you get in at with the Sci-Fi channel, you're in. "Eye of the Beast" is about a government scientist who is sent to investigate a reported story of a giant squid that appears to be devouring everything within sight and scent... and he uncovers a one-ton, tentacled terror with its eye on a new feast... man.

The low-budget, indie horror "Divine Intervention" comes from first time director Rufus Chaffee. From what I can tell, from reading their press kit (which you can find here), it looks like a few of them got together to write the script, then they did some auditions, built up a bit of a reel, then managed to secure a bit of financing. Enough, anyhow, to shoot it on High Def, get a decent light kit and get some audio design and a score put to it. Shot entirely in Ware, MA, it takes place in Ware and is about four friends who fight an insane man's crusade to eliminate sinners from the small Western town.

"Purvos" comes from writer/director Jerry Williams and it was originally part of the Tomb of Terrors package, but now it's getting its own release. It stars Conrad Brooks, who's been in so many crappy horror films, I can't count them, and it's about the tormented dreams of insomnia patients, which have a terrifying connection - they all dream of a murderous clown called Purvos, who's very real and closer than anyone would ever had imagined.

"Das Komabrutale Duell" is actually a few years old, it came out in 1999. I usually don't cover movies that are older, as I like to concentrate on the newer, indie stuff that comes out, but... this deserves mention. Directed by Heiko Fipper's (it's the only thing he's ever done) "Das Komabrutale Duell" could be the bloodiest and goriest film ever made... and it's being called a 'gem of an amateur splatter gorefest', 'sit down, open some beers and have fun watching the characters kill each other in the most bizarre ways'. Okay, I might just do that...

"Hell's Threshold" is from writer/director Felix Diaz and it was supposedly filmed over a 24 hour period... so, I'm thinking it's as indie, micro-cinema as it gets. Diaz's only other film is "Superhero Excelsior", a rock n roll, superhero comedy, which had great reviews. I haven't seen "Hell's Threshold" yet, but I'm interested to see a micro-budget film that was shot over a 24 hour period... I think I'll keep my expectations low.

New horror on DVD today:

Linkapalooza - March 31, 2008

'Killer Tomatoes' ripe for a redo - link at hollywoodreporter.com. Wow, what a witty title... 'ripe', I get it - I get jokes. Why am I writing a blog for nothing and you're getting paid to write that? Anyways, "The Attack of the Killer Tomatoes" is going to be remade and... I'm not pissed off about it. In fact, this could very well be the first remake that I'm not pissed off about. Reason being, Platinum Dunes isn't involved AND the guys that are involved, Kent Nichols and Douglas Savrine, are the guys behind "Ask a Ninja". I think that's pretty cool, not because I'm an "Ask a Ninja" fan... I'm not. In fact, I've never seen a single episode... however, I'm well aware of who they are - two comedians who started up a web-based project out of their apartment and ended up making piles of money. Now, they're teaming up with M. Dal Walton III and remaking "Attack of the Killer Tomatoes", not because they want to make a bunch of money... but just because they want to. Success stories, I like 'em.

Film Publicity Help: Tips, Tricks & Traps - straight talk about promoting film in the world of Web 2.0 - link to blog. This is a blog written by Jane Green, who happens to be a film publicist. She also has guest authors, Michael Klastorin (a Unit Publicist) and Karin Zauderer (a Marketing Manager involved in marketing and promoting film festivals in the D.C. area). They tend to write about fluffy movies, but almost all of what they write about are things that every indie filmmaker should know. Do yourself a favor and check it out every once in a while, apply what they have to say and they could end up making you some money.

The New Jason Voorhees Revealed!!! - link to article at bloody-disgusting.com. So, the new Jason is going to be 6'5" Derek Mears who is probably best known as Chameleon from 2007's "The Hills Have Eyes II". Take a look at his imdb profile here, you'll probably recognize him. To be honest, he kinda looks like Jason when he was a kid... in a mutant kind of way. I can see the connection, but... don't think this is going to get me excited about it. Platinum Dunes... Boo.

"Jack Brooks: Monster Slayer" Myspace page - link to page at Myspace. I haven't actually seen "Jack Brooks: Monster Slayer" yet, but I hear it's fantastic - check out the trailer and poster on that page. It was the first Slamdance movie to get picked up and it's going to be released by Anchor Bay. I'm not sure when, but I'll be looking forward to it... in any case, check out the Myspace page... And a little something about the Myspace film pages - they're not that hard to make up. I wanted to make one up for Dead Harvey soon, so I looked into it and it's not that hard and doesn't take long - every indie filmmaker should have a page for themselves, plus a page for their film. It's easy, free marketing.

Sunday, March 30, 2008

Film Fest Friday - I Can Smell Your Brains Cinema

Once again, Film Fest Friday comes a little late this week - sorry, Friday's are always a tough day to get a post up. This week I'm going to cover something that the guys over at icansmellyourbrains.com are doing, which is a great opportunity for any indie-horror filmmaker and it's just a pretty damn cool idea, period. They're based down in Scottsdale, AZ and they're teaming up a local theater, Chandler Cinemas, to give a theatrical release to indie horror films that usually don't get them. Each month, they're going to screen a different indie film and make it into an event by having Q&A sessions with directors and actors, plus have autographed items for sale and giveaways. It's really a win/win for audiences, filmmakers and everyone involved. The events will be called I Can Smell Your Brains Cinema and here's a couple paragraphs from their press release...

I Can Smell Your Brains Cinema is the latest addition to roster of the newly managed Chandler Cinemas. Horror film fanatics Danny Marianino and Brandon Kinchen, the two proprietors of Arizona’s monster movie home base I Can Smell Your Brains .Com, have teamed up with Chandler Cinemas to bring a more personal look to independent films that do not get a widescreen release.

“We’re busy, no doubt”, Danny adds. With I Can Smell Your Brains Cinema they are just going to get busier. “So far we had a very successful weekend with Bikini Bloodbath for our first showing the weekend of Feb 22nd. For the weekend of March 21st we have booked The Quick and the Undead – a Zombie Apocalyptic Western that is awesome! I have also confirmed Death of a Ghost Hunter, Death Factory –Bloodletting (including a Q&A with directors), Black Devil Doll, New York Blood (including a Q&A with actors), Street Trash (including a Q&A with actor), and Puppet Show. Our original plan was to show once a month but I am getting bombarded by directors and film studios so we may do it twice a month, we shall see. Everyone has been so open to the idea hopefully this carries on to other states as well.”

I think it's an awesome idea and, hopefully, stuff like this catches on in other markets. In fact, maybe Dead Harvey should do something like this up here...

Here's a link to the I Can Smell Your Brains website and for bookings and more information on I Can Smell Your Brains Cinema, you can email: danny@icansmellyourbrains.com.

Thursday, March 27, 2008

From toll booth worker to Hollywood screenwriter... almost overnight

Well, if you're looking for an inspirational story to get you off your ass and start writing that script, this could be it...

Michael Martin totalled his car and ended up in physical therapy. He couldn't work his regular job as a toll booth worker with the Transit Authority in Staten Island and, well, he had no car. What to do? How about write a screenplay and enter it in a contest? Martin ended up writing a "Crash" meets "Training Day" ensemble police thriller called "Brooklyn's Finest", entered it in a screenplay competition and... he came in second. However, it managed to end up on the desk of a Warner Bros. exec, generate a bunch of interest and, now it's going into production with Antoine Fuqua set to direct and Richard Gere, Don Cheadle and Ethen Hawke signed on to star. Check out the full Hollywood Report here - link.

To play devil's advocate, keep in mind that he studied film (or some film, it didn't really expand) and he did a brief stint as a staff writer on Showtime's "Sleeper Cell", so he's not exactly a complete novice. However, how many indie filmmakers have zero experience? Not many. So, really, your skills are probably on par with his. Not only that, all he did was enter a screenwriting competition, it's not like he used any connections, he was just trying to win enough money to buy himself a car. All said and done, everything he did, you could do. Personally, I've never actually put much thought into screenwriting competitions, but we do have a section on the site here that has links to all the competitions that accept horror scripts. So, you know what? Give it some thought, I think I might. Apparently it can work out.

There is one question, though... What's the story of how his script went from 'second place in a film competition' to 'the doorstep of Warner Bros. based Thunder Road exec Mary Viola'? It seems like something happened there that they're not really expanding on. I guess the long and short is, it really doesn't matter... because if he never entered at all, it would have gone nowhere, guaranteed. So, basically, if you want to win, you gotta play. Now get off your ass and write that script.

Wednesday, March 26, 2008

In the future... movies will be free.

For quite some time now, I've been preaching that indie filmmakers need to consider uploading their film to P2P sites and letting people have it for free, mainly because it's a great marketing tool to get an audience for you film. My argument, basically, is that you're not really losing any money from giving it away. Out of all the people that will download your film and watch it for free, the bulk of them wouldn't have paid shit for it, anyhow. However, if they do watch it, what they can do for your film is talk about it. So, now people who might actually open their wallets for it could hear about it, when they may not have otherwise. In any case, that's a way that I think giving your film away can work. Now, here's another way...

I'm a fairly regular reader of Wired and, I guess, so are the guys over at /film. They took the theory that Chris Anderson wrote about in his article "Free! Why $0.00 Is the Future of Business" and applied it to the theater going experience. Here's a link to the post, "Is The Future of Movies... Free?!" by Peter Sciretta on /film and here's a link to the original article by Chris Anderson on Wired.com. You should definitely read both articles, but to summarize the theory as it applies to the theater going experience - if you give away theater tickets for free, you're going to drastically increase your audience. If you drastically increase your audience, you can sell them other stuff, mainly concessions where popcorn and pop have way better margins than tickets sales. Also, with a larger audience, you can charge more for things like advertising and premiums, such as special seating, etc. Long and short, let people in for free and you can increase your revenue, everyone's happy. To be honest, though... fundamentally, it would never happen. Mainly because the studios would be making less money and they supply the product to the theaters - no product, no audience.... but, regardless, there's a lot you can take away from this.

Here's the point - think outside the box. Simply getting people to pay to see your film is not necessarily the only way you can make money... For example, what if you wanted to do a screening of your indie horror at a local theater? Maybe you're trying to make money, maybe you'd like a theatrical release. Either way, traditionally... it's probably not going to happen. They're just going to think, "Indie horror = empty seats". However, what if you found three or four local sponsors and gave them free advertising at the theater? (posters, banners, digital pre-roll, whatever) Further, what if you allowed them to give away samples to the audience and you put their logo's on all the promotional material? That's some good exposure and, remember, advertising's a write-off, so companies do have a budget for it. Now, you go to the theater and you can actually pay them to screen your film, if you have to. Further, you tell them that since you're paying, you'd like to split the revenues on the concessions and you're letting the audience in for free. As long as the theater is making some money (more than they would on a regular night), they'll do it. Now, you've given your film away for free, but you've made money from the sponsors and from the concessions AND you should have a full theater. I'm not saying it's a perfect example because there's going to be other variables, but it's a thought... and it could work.

In the end, the lesson to be taken away is... do what it takes, think outside the box and giving away your product isn't necessarily a bad thing.

A little P.S. here... Chris Anderson is an f'ing genius. As an indie filmmaker, his book, "The Long Tail" is an absolute must read - it completely changed the way I thought about niche, indie film and made me realize there's a big, big future for it. Here's a link to The Long Tail: Why the Future of Business is Selling Less of More on Amazon. Further, his article "Free! Why $0.00 Is the Future of Business" is being flushed out into a book and should be out in 2009.... I'm assuming that it, too, will probably be a must read.

Tuesday, March 25, 2008

March 25, 2008 - New Horror available on DVD today

When I first saw that there was 30 new horror movies out today, I got a bit excited... what wonders were in store for me this week? Well, it turns out that it was just a lot of useless rereleases and double-packs. Not only that, some of the double-packs don't even make sense. "Ice Cream Man / The Amityville Horror 4: The Evil Escapes"? Isn't that kind of like a "Regarding Henry / What about Bob?" double-pack? I don't get it... granted, "Ice Cream Man" stars Clint Howard in the title role and... I liked it, but only because I went through a stage where I couldn't get enough Clint Howard. Now that I think about it, I'd buy a Clint Howard 10-pack. It could have "Silent Night, Deadly Night 4 & 5", "Carnosaur", "Infested", "Ice Cream Man" and... Okay, enough. Here's this week's new, notable horror DVD releases.

The big movie of the week is definitely "The Mist", which I thought was one of the best films of 2007. It was written and directed by Frank Darabont, who also did two other Stephen King adaptations, "The Green Mile" and "The Shawshank Redemption". Looking through his resume, "The Mist" is by far the darkest thing that Darabont has done... It stars Thomas Jane, who you might remember as The Punisher from the 2004 version, but he's been in lots of stuff, including David Arquette's "The Tripper" from 2006. I don't know what else to tell you, but that you should see it. It was awesome... and I can't believe that it only made $25Million at the box office, bringing it in at number 95 on the box office gross list for 2007, right on top of "The Reaping" and right below "Nancy Drew". My bet is that "The Mist" gets a big run on DVD, it's really worth checking out...

I've already covered "Them (a.k.a. Ils)", so I'll just cut and paste some of what I already wrote. Usually, I'd just gloss over this and not bother, but... It turns out that it's actually a pretty good film and I wrote up that I wouldn't watch it because it's in French. So, I take it back. Check it out... It's about a couple who have recently moved to this rural part of Romania and are awakened in the middle of the night by a series of disturbing noises. They investigate, only to find their car being stolen. Attempts to report the crime to the local police are unsuccessful and soon the couple realizes that the mysterious figures have returned... and are trying to enter their house. It's been well received internationally, has been called "77 minutes of gloriously maintained tension" and now "the film that terrified Europe has come to America".

"April Fool's Day" is a remake of the 1986 classic of the same name. This one is written and directed by Mitchell Altieri and Phil Flores, otherwise known as 'The Butcher Brothers'. I'm not sure why they have that alter-ego, but I'm pretty sure that it's self proclaimed. In any case, their first feature film was "The Hamiltons", which won the Santa Barbara International Film Festival and the Malibu International Film Festival, was selected for the '8 Films to Die For' festival and was, subsequently, picked up and released by Lionsgate in 2006. After a career in music video's, a big break and sucess with "The Hamilton's", they go on to remake "April Fool's Day" as a straight-to-DVD release.

"Fingerprints" actually won Harry Basil the best feature award at the New York City Horror Film Festival. It was filmed over a couple months in 2006 and the story is based around that urban legend out of San Antonio where a school bus of children were all killed in a terrible train accident and if you stop your car in neutral on the tracks where the accident happened, the ghosts of the children will push it to a safe area. You know the one? Anyhow, the movie centers around a teenage girl who just finished rehab and moves in with her sister, when the two of them investigate mysterious happenings occuring around town that could be connected to the legend. Harry Basil has actually had a crazy career and I talked a bit about it when I was discussing one of his other films, "Soul's Midnight". Originally a comedian, he's been doing various horror films lately, which is crazy. Any guy who can direct both "Funky Monkey", which is about a super-ninja, secret agent football star chimp AND "Soul's Midnight", which is about a vampire cult seeking to resurrect their leader, is alright in my books. Actually, he's better than alright... that's f'ing genius and it's the definition of a diverse career.

I can't believe "Shrooms" is just coming out on DVD now, it feels like forever ago that I watched it. Either way, it's a great horror film... and, of course, the subject matter, as well as the way the film's put together, should entertain the viewers. It's about a group of American backpackers, who are constantly high, and their Irish guide who are stalked by a serial killer while out in the woods looking for, well... shrooms. It was written by Pearse Elliot and directed by Paddy Breathnach and it won Paddy best director honors, as well as best film honors, at the Irish Film and Television Awards.

Don't get too excited about the title, "The Living and the Dead" is not a zombie film... However, it is a shocking and grotesque film about family dysfunction, so it's got that going for it, which is nice. It's about a desperated husband, who leaves his bedridden wife alone with their son James, who happens to be a schizophrenic man-child. In a horrific fit of dementia, James abandons his medication, locks the doors, and plays nurse. As his ability to distinguish morbid fantasy from reality decays, he plunges into a mental labyrinth so violent and deranged, none of them may survive it. It's written and directed by Simon Rumley, who won a best director award for it at the Austin Fantastic Fest, as well as a new visions award at Sitges - Catalonian International Film Festival. It was done on a fairly low-budget by Simon Rumley, who got the idea from watching his own mother dying of cancer and the maddening cycles of hope, helplessness, anxiety and guilt that families experience while dealing with organized health care.

I almost skipped over "The Haunting of Rebecca Verlaine", until I realized that it's actually an unrated version of 2003's "Garden of Love" by Olaf Ittenbach under a new title. There's only two things you need to know about this film. (1) It's basically a goofy, German, splatter-fest about a girl who's haunted by her father, a musician who died, along with a bunch of his friends, a few years earlier. (2) Olaf Ittenbach is a buddy of Uwe Boll's, worked on a bunch of his films and mainly concentrates on special effects. So, with that, you should know exactly what you're getting when you get this film...

Last, but not least, "The Undertow" was written and directed by Jeremy Wallace, who happens to be a V.P. in charge of production, distribution and marketing at Wicked Pixel Cinema, which distributed "Deadwood Park", "Savage Harvest 2: October Blood", among a few other indie horror's. It's a low-budget slasher film about six friends who stumble upon an old town with a deadly secret... which is a seven foot-tall homicidal maniac who's sole purpose in life is to rid the town of strangers in the most violent manner his mangled mind can dream up. F yeah....

New on DVD today: